Lapping Reflections [Deep Within Waters] – valley

Tags

7*, black, bracken, brother, curtains, dark, doors, evacuation, eyes, faces, hills, horizon, house, listening, London, morning, opening, ponies, rock, rooks, sky, sleep, sound, streets, sun, time, truck, valley, Wales, water, wheel, wind, windows, World War

valley

we were evacuated during the war
from London to the Rhonda Valley
it was dark when we arrived

the sound of rocks woke me in the morning
I hadn’t heard them before
in such numbers

I looked at the strip of sky between the curtains
while my brother slept
a small cross a wooden chest minutes

ticked …
until he moved eyes already open
then two faces at the window gaping at bare hills

and one house
with three ponies in the paddock manes in the sun;
downhill was a black tower holding enormous wheels black

and then cables down to
a blacked hut and trucks and shacks dotted everywhere black
save the rail lines; shuntings

between the constant hisss, psssh
hooves in the street below pulling a float
‘cark’ of rooks above;

in time
doors opened: crystal streams before
racing the bracken which dipped and waved out to the next horizons

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – The Valley

 

 

^{————w}(O)_{rmholes________________________________|—–}

black & faces & hills & house & London & morning & sleep & valley & windows wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley
curtains wormhole: at Kreukenhof
doors wormhole: there will be ovations
eyes & wind wormhole: breakfast
horizon wormhole: Candaka
listening wormhole: …zzh-vvttP*–… … …
sky wormhole: blue sky high
sound & water wormhole: psssssh
streets wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sun wormhole: ‘don’t look at it …’
time wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms

 

breakfast

Tags

2019, 7*, blindness, blogging, branches, breakfast, breathing, canopy, coffee, dark, echo, energy, eyes, flash, gooseberry, ground, growth, jam, leaves, life, light, living, monkey, path, reaching, reading, samsara, seeing, shadow, sound, sunlight, toast, trees, walking, way, wind, woodland

                breakfast

                these shadows on a long walk
                through the woodland with only occasional sun

                all there, underneath the undergrowth
                cannot see the ground, the stems that grow from it

                branches reach, leaves envelope everywhere
                from nowhere; weave

                and grow round and entwine each other;
                if I lift the leaves to see my way forward –

                searching for light, searching for life
                to grow, to continue – and if I break the smaller branches to

                make way
                I will scratch my arms, sap will sting my skin, my

                eyes, I cannot see, I cannot see;
                and I won’t see; some trees

                are quicker and older (than me)
                they hold the path and reach wide,

                and creepers make them fat
                and vines hang like curtains of water;

                the canopy above, maximised
                to greatest energy, sent back down through rough wires;

                only when the wind leans
                or a monkey leaps, is there a flash of light, gone by the

                time I’ve looked back down to the path
                blinded, to see where I am

                there must be so much light somewhere
                out there, if only I weren’t stumbling around and bleeding

                … really; I come downstairs
                and breathe coffee and spiced home – made gooseberry jam on home – made toast                           

                while reading my posts … yes,
                a thousand hacks and sap in the dark

                where I cannot see
                and cannot know where I am

                a thousand ‘choks’ deferred
                the undergrowth too dense to echo

 

Bodhisattvacharyavatara chapter VI, verse 12: How can I attain happiness when the causes for happiness are obtained only through great effort and very rarely, and when the seeds­ of pain and sorrow are so prevalent, relentless and multifarious that they are realised easily and without any effort? And yet it is only from suffering that the thought and longing for escape and liberation from the suffering of conditioned existence will come about … therefore, O my deepest mind, hold yourself strong, patient, steadfast!

 

 

^{————w}(O)_{rmholes________________________________|—–}

branches & breathing wormhole: blue sky high
coffee wormhole: green and / luminant / to behold
echo & path & walking wormhole: the Bodhisattva set out / for the Seat of Awakening
eyes & life wormhole: eyes like petals
leaves & living wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms
light & trees wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
reading wormhole: {reading right to left}
samsara & sound wormhole: at Kreukenhof
seeing wormhole: A Solitude by Denise Levertov
shadow wormhole: alabaster balustrade
wind wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

The Boats of Vallisneria by Michael J. Redford – The Valley

Tags

beauty, bedroom, black, blue, bracken, brass, breakfast, brother, brown, clouds, colliery, cows, curtains, evacuation, eyes, faces, farm, fields, freedom, friends, grass, green, grey, hedge, hills, horizon, horses, house, identity, kitchen, London, loneliness, love, Michael J Redford, morning, mother, mountains, passing, ponies, rock, roof, rooks, running, sadness, sheep, sky, sleep, smell, sound, steam, stone, sun, the Boats of Vallisneria, time, travelling, valley, village, Wales, walls, waves, wind, windows, winter, World War, yellow

The Valley

My first memory of Wales is an aural one.   My brother and I were evacuated during the war and arrived late at night in Trelewis, a little mining village by the Rhonda Valley.   It was too dark to see anything of our surroundings, not that we cared much anyway for the winter’s journey had made us far too tired.

It was the sound of rocks that woke me early the following morning.   Having always lived in London, I had rarely heard their raucous tones, certainly not in such great numbers.   I could see from a narrow strip of sky between the curtains that the clouds of the previous day had been swept away.   At first I was undecided as to whether the colour of the sky was grey or a pale, misty blue, but as the minutes ticked by, it became evident that the heavens were clear.   I glanced across at my brother in the next bed.   He was still and fast asleep.   Without moving my head I took in the details of the room that had come to light.   There was a small wooden cross on the wall opposite and behind the door a small cupboard where, presumably, we were to keep our clothes and the few toys we had bought with us.   Beneath the window was a long wooden chest draped with a green satin runner, the secrets of which we were to discover later.   Apart from the two beds in which my brother and I were sleeping, there were no other items of furniture in the room.

I glanced at the bed beside me once more and again at the curtained window.   How desperate I was to see what lay beyond.   Should I wake my brother or should I let him sleep?   The minutes ticked slowly by.   Then slowly he turned over towards me.   His eyes were open – he too had been looking at the window.   Alan and I had always been very close as brothers, often both doing the same thing simultaneously, each seeming to know what the other is about to do.   Our eyes met for a brief second and without a word being spoken, we slid from our beds and crossed to the window.   Had an observer been looking at the rear of 9 Richards Terrace at seven o’clock that crisp winter’s morn, he would have seen the curtains slowly part and two small faces peer out with large apprehensive eyes.

We were almost on a level with the hills opposite.   In this part of the country the Welsh mountains do not present a dramatic outline to the sky; here, they are soft and rolling, rather like the South Downs on a much larger scale.   The hills were quite bare, void of trees, fields and hedgerows, and only one house stood there, square and lonely.   A paddock surrounded by a dry stone wall contained three ponies that tossed their heads in the early morning sun.   One wall of the paddock continued down into the valley to disappear behind a black, tower-like structure topped by two of the most enormous wheels I had ever seen.   From these, thick black cables ran down into a blackened building at the rear.   Everything was black.   The ground, over which ran a network of miniature railway lines and trucks was black; all buildings, shacks and huts dotted about were black; blackness was heaped everywhere.

Now we were conscious of other noises.   The distant rattle of shunting trucks and a continuous hissing sound of escaping steam.   Then the faint clip-clop of horses’ hooves became noticeable from the High Street below, and there appeared for a brief second between the houses a yellow float laden with clanking milk churns pulled by a big brown horse.   The bare hills, the colliery, the grey slate roofs of the village below and the screech of the rooks above, stirred within us a mixture of emotions, emotions that encompassed apprehension, expectation, excitement, loneliness, sadness; and even today, whenever I hear rooks calling on a winter’s morn, whenever I hear the rattle of the shunter’s yard or the sound of newly-shod hooves upon a hard road, I am back once more in Trelewis.   But no longer does loneliness feature in the memory now for I have many dear friends there.   No more apprehension or sadness, for the Welsh hills have afforded me much happiness and security, and beauty can now be seen in that which at one time appeared ugly.   Now, the memory is warm with affection for those sincere people and there is a longing to be among those stony, fern-covered hills once more.

As we descended the stairs later that morning for breakfast, the smell of polish was evident.   Everything shone.   The lino on the stairs had a shine so deep that I grasped the bannister tightly for support for fear that I should slip, and the brass fender in the living room glowed with the intensity of the sun.   The aroma of breakfast sizzling on the big black hob was wafted through the kitchen door together with the aroma of a hitherto unknown delicacy called a Welsh Cake.

The people in that remote little mining village threw open their doors and welcomed us into their houses.   Such was their nature that we, who could justly be called ‘foreigners’, became in a very short time, part of them and their community.   How many London mothers, I wonder, have cause to be grateful for the care and love lavished on their offspring by strangers in a far-off country.

The countryside behind the village differed from the great hills on the other side of the valley.   Here, there were dairy farms.   Hedgerows bound in small fields and cows grazed to the accompaniment of pure crystal streams that tumbled from the mountains further up the valley.   It is in these surroundings I feel sure, that I first became aware of the beauty around me.   I became conscious of a physical and mental freedom that could not exist in London.   Here, one could be alone, one could run and jump and roll in the grass without fear of reprisal, and high upon Wineberry Mountain on the other side of the valley, one could race the winds for miles before a fence or even a dry stone wall would be encountered.   Here on the heights, one can shout with full voice, yet it will be lost upon the wind.   Only a stray sheep will turn its head and the bracken will dip and ripple to the horizon like waves upon the sea.   Up here the ceaseless wind is the ethereal reincarnation of Dionysus, urging one to drink from him and become drunk with freedom.

 

read the collected work as it is published: here

 

 

^{————w}(O)_{rmholes________________________________|—–}

beauty & clouds & grey & hedge & passing & smell & valley wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
bedroom wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
black & horizon wormhole: slight sneer
blue & faces wormhole: 11/1 by William Carlos Williams
brown wormhole: The Diligence at Louveciennes, 1870
curtains wormhole: ‘… plane is upright …’
eyes & love wormhole: light of all interaction
green wormhole: 10/22 by William Carlos Williams
hills wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
house wormhole: quietly in my quiet house
identity & wind wormhole: c’mon – keep up
kitchen wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
London wormhole: {reading right to left}
morning & sky wormhole: then
mother wormhole: in deed
roof & windows wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
sleep & time wormhole: looking for the right exit
sound wormhole: window
stone & sun wormhole: boiled spangle with soft centre
travelling wormhole: travelling / back
walls wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”
waves wormhole: Valentine’s Day 2019
yellow wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams

 

c’mon – keep up

Tags

2019, 6*, acceptance, career, change, CPD, identity, measure, music, Pink Floyd, principle, reputation, system, teaching, wind

                c’mon – keep up

                I was a teacher
                I was sometimes
                very good, I cut edges;

                things changed,
                (they’d never
                 quite coalesced)

                I stuck to
                principle, fatal
                to behold,

                couldn’t shimmy
                with the wind (there
                was never a wall

                that created the
                draft) I was
                still, sometimes,

                very good,
                but things just
                changed –

                                ~ O —

                wazzat I hear,
                music, far away,
                can’t make it out:

                “I don’t need no reputation
                  I don’t need no CPD
                  no starkly standards by which to measure

                  system leave them selfs alone … … …
                  hey, system, leave yourself alone …
                  all in all I’m just another brick in the wall”

 

from Bodhisattvacharyavatara, VI, 90-93: [90] And as for praise and fame and status, these will not necessarily affect my life at all; they will not bring me virtue or recognition, they will not extend my life-span or give me strength or free me from sickness or even make me feel good.   [91] If I truly knew what was of benefit and import to my life, what value would I hold in pursuing such things?   If all I want is some nominal, transient mental entertainment, perhaps I should just indulgently devote myself to gaming and getting high and such.   [92] And yet if, in pursuit of fame, I squander everything I have or even get myself killed for some point of honour, of what use would be the mere sound of words to anyone?   Once I am dead, to whom, of all the people I knew, would they bring satisfaction?   Can you eat words as if they were flesh?   When I am dead, what comes of my honour?   [93] When their mud-houses (and sand-castles) collapse, children spontaneously burst out crying in despair and anguish; and, likewise, when my approbation and renown dry up, my own mind reacts just like a silly child.

 

 

^{————w}(O)rmholes_________________________________|—–

acceptance wormhole: the mantra of Maitreya
career & change wormhole: Renunciation
identity wormhole: looking for the right exit
music wormhole: there will be ovations
teaching wormhole: my uncomfortable life
wind wormhole: the old man;

 

the old man;

Tags

2019, 8*, bougainvillea, Buddha, hope, life, lute, meaning, ochre, old age, open, pink, politics, power, purpose, renunciation, samsara, society, the Four Signs, time, walking, wind, windows

                the old man;

                by the open window –
                air of civic celebration

                flowering deep pink
                bougainvillea on ochre

                wind, but despite
                all iron machination

                the Prince of all
                that hope could keep

                had seen that Make
                held long-together only

                with foresworn and
                decrepit elapse

                that bent walking
                could behold;

                and the borough might hold
                but there were

                further portents
                on the way and a

                fourth that
                warranted all wasteland –

                when the lute-string
                snapped

 

An old man was the first of the Four Signs that tipped the Prince to thinking that there was more to life than privileged indulgence – there was a seriousness in life to consider which his father had designed to keep from him; when the Prince had been born, there was a prophecy that he would either become a great king enjoying power and influence far beyond, even, what his father had achieved, or that he would leave home and become a seeker of deeper purpose and meaning in life, but the father could not keep all of life’s questions at bay for the rest of the Prince’s life … the other Signs were: illness, death and worldly renunciation; this encounter fore-shadowed the Prince leaving his home to search for that deeper meaning and purpose

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: birth in the world
life & time & walking wormhole: Puerto del Carmen
meaning wormhole: to let be
ochre wormhole: every step I take
open & windows wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
pink wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
politics wormhole: how to teach
power & society wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
renunciation wormhole: and … // … sound
samsara wormhole: Batman: Oddysey
wind wormhole: {reading right to left}

 

{reading right to left}

Tags

1871, 2018, 9*, autumn, blue, brown, chimney stacks, chimneys, confusion, Crystal Palace, damp, dark, decline, draft, drifting, fire, flag, flagpole, garden, gas, high, London, passing, people, Pissarro, progress, reading, sand, shrub, sky, smoke, society, streetlamp, streets, Sydenham, the British Empire, wind

The Crystal Palace, London, 1871

                deep eaves in Sydenham the
                chimney stacks raised high

                to draw the draft – splendid
                in counter – front-garden shrubbery

                left tangled to riot and dampened
                from autumn, seems stuck in

                foreboding brown conflagration;
                the clean stroke of streetlamp

                under sandened sky will not
                be sullied by slimey gas until

                after dark – controlled, controlled blue –
                but, we read in the right direction:

                look, the flag from some
                turgic land of the Empire swaves

                away from its pole – the dirty
                heavens cry – the dwarfed

                chimneys, here, their smoke of
                coke and belch drift

                in the same direction conjuring
                transparent edifice where mens’

                seriousness loom in smudged
                silhouette, foreboding to behold,

                and others scuttle about the
                bright, wide street coming

                and crossing in all direction –
                pushchairs and carriages to hold

 

The Crystal Palace, London, 1871 by Camille Pissaro

 

 

^{————w}(O)rmholes_________________________________|—–

autumn wormhole: La Route de Louveciennes, 1870
blue & society & streets wormhole: on facing the Have
brown & wind wormhole: SPRING AND ALL I by William Carlos Williams
garden wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
London & sky wormhole: London, 1809
passing wormhole: SPRING AND ALL XI by William Carlos Williams
people wormhole: only
reading wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych

 

SPRING AND ALL I by William Carlos Williams

Tags

1923, 5*, birth, blue, brown, bushes, clouds, fields, grass, growth, hospital, leaves, purple, red, roads, roots, Spring, trees, water, weeds, William Carlos Williams, wind

                                SPRING AND ALL

                By the road to the contagious hospital
                under the surge of the blue
                mottled clouds driven from the
                northeast – a cold wind. Beyond, the
                waste of broad, muddy fields
                brown with dried weeds, standing and fallen

                patches of standing water
                the scattering of tall trees

                All along the road the reddish
                purplish, forked, upstanding, twiggy
                stuff of bushes and small trees
                with dead, brown leaves under them
                leafless vines –

                Lifeless in appearence, sluggish
                dazed spring approaches –

                They enter the new world naked,
                cold, uncertain of all
                save that they enter. All about them
                the cold, familiar wind –

                Now the grass, tomorrow
                the stiff curl of wildcarrot leaf

                One by one objects are defined –
                It quickens: clarity, outline of leaf

                But now the stark dignity of
                entrance – Still, the profound change
                had come upon them: rooted, they
                grip down and begin to awaken

from Spring and All, 1923, from which Paul Mariani’s excellent biography of William Carlos Williams got its name “A New World Naked”; being is to break and contrast, it is primordial but also cyclical, WCW doesn’t bother with the cosmic, he deals in twigs

 

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
brown wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
leaves & Spring & trees wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
purple wormhole: … the underleaves show
red & William Carlos Williams wormhole: THE GREAT FIGURE by William Carlos Williams
roads wormhole: London refugee march – 120915
wind wormhole: coterminalism – there is nothing happens by itself, / 070118

 

coterminalism – there is nothing happens by itself, / 070118

Tags

2018, 7*, being, blackberry, blue, Bodhisattvacharyavatara, bougainvillea, bread, breakfast, clouds, cooking, creation, hills, holiday, jam, Lanzarote, life, lunch, olive, rain, roundabout, sand, sky, study, table, valley, vegetables, villas, walking, wind

                coterminalism – there is nothing happens by itself,
                070118

                when blackberry jam is on the bread for breakfast
                there will be bougainvillea on the roundabout by lunch

                when the walk uphill is steep enough and windy
                the rainfall advances, but stays in the valley

                so that when walking through villas between showers
                there are always sand-blue clouds under deepening olive sky

                when you cook or prepare the vegetables right
                the paella is right the oval dish long

                when creation and study and life happen around the same table, there is                      
                being

 

Bodhisattvacharyavatara VI, 31 – everything is governed by other factors and nothing governs itself; anything which seems to stand out from this as independent is illusory [and usually desparate in some sort of way]

 

 

^{————w}(O)rmholes_________________________________|—–

being & sky wormhole: THURSDAY by William Carlos Williams
blue & life & walking wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds & holiday wormhole: we held cold hands
hills wormhole: that
olive wormhole: mauve
rain & valley wormhole: Lapping Reflections [Deep Within Waters] – reaping
study wormhole: glancing up from the text / searching for ground …
table wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
wind wormhole: JANUARY by William Carlos Williams

 

JANUARY by William Carlos Williams

Tags

1921, 4*, dialogue, distraction, January, music, temptation, William Carlos Williams, wind, windows, writing

                                   JANUARY

                Again I reply to the triple winds
                running chromatic fifths of derision
                outside my window:
                                                     Play louder.
                You will not succeed. I am
                bound more to my sentences
                the more you batter at me
                to follow you.
                                         And the wind,
                as before, fingers perfectly
                its derisive music.

 

from Sour Grapes, 1921

it’s the immanence of writing within the experience that it is writing about that makes writing a wrestling match between perception and the thought thereof …

 

 

^{————w}(O)rmholes_________________________________|—–

distraction wormhole: divergent // direction
music wormhole: TREES by William Carlos Williams
William Carlos Williams wormhole: THE DESOLATE FIELD by William Carlos Williams
wind & windows wormhole: What You Are by Roger McGough
writing wormhole: Lapping Reflections [Deep Within Waters] – old George

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go