• Bodhisattvacharyavatara
    • Introduction
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • The Boats of Vallisneria by Michael J. Redford
    • Bob 1995-2012
    • Edward Hopper: Poems at an Exhibition
    • David Bowie Movements in Suite Major
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
    • William Carlos Williams
  • poemics
  • poeviews
  • teaching matters
  • wormholes

mlewisredford

~ may the Supreme and Precious Jewel Bodhichitta take birth where it has not yet done so …

mlewisredford

Tag Archives: silhouette

nowhere / that can be seen

01 Sunday Dec 2019

Posted by m lewis redford in poems

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2019, 6*, being, black, evening, headlights, orange, river, roads, silhouette, streetlight, Sunday, Totnes, travelling, trees, white

                late from the evening:
                the second-floor apartment

                the lights are Jacksoned
                all about the hill, some orange

                and insistent, some white with no design
                to the gash of nothing

                of the river; wait, solitary
                headlights work slow down the road

                into town, but’s OK, it is
                Sunday, they sidle idly behind

                tree-silhouettes and get nowhere
                that can be seen

 

in September we looked after the apartment of our friend in Totnes; we do this from time to time; this time we travelled by train – takes the best part of a day to travel just over 200 miles; we arrived and settled and it was already getting dark; the apartment has a wonderful window, a cathedral window, from the floor apexed into the roof looking out over Totnes settled either side of the river Dart: there’s nothing for it, many evenings, but to turn out the lights and look across the valley at the lights …

 

 

————w(O)rmholes________________________________|—–

being & black & orange wormhole: travel // when I die
evening wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
river wormhole: at Kreukenhof
roads wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
silhouette wormhole: riders of the night
streetlight wormhole: sometimes
Sunday wormhole: PASTORAL by William Carlos Williams
travelling & white wormhole: travelling,
trees wormhole: on / that / day

 

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riders of the night

03 Thursday Oct 2019

Posted by m lewis redford in poems

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2019, 7*, buildings, cars, coat, continent, crane, dark, docks, dualistic conception, hats, headlights, ideas, inexplicable, light, living room, making sense, morning, night, paper, pink, propaganda, rain, red, ships, silhouette, sound, speech, streets, sweat, thinking, time, Tintin, truck, waiting, war, water, waves

                riders of the night

booms of inexplicability
                had spattered velvet stars and shredded cloth all morning

despite the raised-brow
                consternation of the smartest of overcoats and the darkest of hats

that startled drops of sweat
                could devise in the presence of impending war, it was only   th-  

  at night   by the docks where
                the cargo waited unknown and the ships floated above the water,

that one could think a thing between them
                before any further dénouement under filigree refinery of silhouette;

                the   next  morning   the ship sat in the water, content to the
lapping red line,

                waiting fast and moored under the single ribbon of exhaust
from the funnel f’ard;

                but it is only   later   that water ranges continental across stepped and geologic                
wave, under relentless rain,

                that solitary lights lolling will make any sense at all;
and there were some

                had ideas like a living-room on a pivot that housed raised cranes
but the cars drove through streets

                like they owned them and the trucks travelled in straight trail
of their antecedents’ front headlights

                and although buildings always pointed up, the propaganda usually
ended up on pink paper:

                ‘Me, drive ‘round something that is nothing, but something you think is something,                
 but is nothing …?’

 

{image not mine, found on the internet, can’t remember where, happy to take down if a problem}

 

 

————w(O)rmholes________________________________|—–

buildings wormhole: everything is caused by something, which / something is caused by something else, nothing / stands alone where all pass as phantoms
cars wormhole: travelling / back
crane wormhole: ‘don’t look at it …’
light wormhole: breakfast
living room wormhole: what life went on
morning & sound & streets & time & water wormhole: Lapping Reflections [Deep Within Waters] – valley
night wormhole: THE ATTIC WHICH IS DESIRE: by William Carlos Williams
pink wormhole: beneath
rain wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
red wormhole: 11/1 by William Carlos Williams
silhouette wormhole: window
speech wormhole: the blessings of the Buddhas
thinking wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
waiting wormhole: my uncomfortable life
war wormhole: in deed
waves wormhole: The Boats of Vallisneria by Michael J. Redford – The Valley

 

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window

05 Friday Jul 2019

Posted by m lewis redford in poems, poeviews

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1830, 2019, 5*, artist, creak, crystal, fire, light, painting, silence, silhouette, sound, standing, Turner, windows

                oh,
                the Artist stood

                only he
                in silhouette

                daubing;
                his Admirers reclined

                or leant
                and all was silent

                save a creak
                and a lap of flame

                and the
                incandescent crystal

                of light
                around the floor-to-ceiling

                window

 


the sounds of light downloaded from Petworth: the Artist and his Admirers (the old library), c. 1830 by William Turner; when light enters through windows it turns to music if there is an alert-enough artist to express it and an audience-enough to hear

 

 

————w(O)rmholes________________________________|—–

light & silence wormhole: The Boats of Vallisneria by Michael J. Redford – Rain
silhouette & sound wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
windows wormhole: “And anger it is that lays in ruins / every kind of mental goodness.”

 

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The Boats of Vallisneria by Michael J. Redford – Sky

05 Wednesday Jun 2019

Posted by m lewis redford in announcements

≈ 2 Comments

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1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

————w(O)rmholes________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

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Vue de Pontoise, 1873

03 Wednesday Apr 2019

Posted by m lewis redford in poems, poeviews

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1873, 2018, 6*, church, clatter, evening, hill, life, morning, passing, people, Pissarro, Pontoise, rooftops, silence, silhouette, sound, sun, talking, town, trees, work

                the chatter of rooftops
                scattered under low sun
                about the hill

                the single sustained note
                of the church – the
                passing clatter of

                silhouetting trees
                can’t hear all that is said
                while weary people

                approach the town
                and quit the town
                evening and morning

                silent under sometimes
                bright head-ware

 


approaching and leaving Vue de Pontoise, 1873 by Camille Pissarro

 

 

————w(O)rmholes________________________________|—–

church wormhole: Hastings: neither all or nothing
evening & life wormhole: Entry to the Village of Voisins, Yvelines, 1872
morning wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
passing & sound wormhole: Batman: Oddysey
people wormhole: {reading right to left}
rooftops wormhole: Dulwich College, London, 1871
silence wormhole: there will be ovations
silhouette wormhole: ‘streetsigns …’
sun wormhole: horizon
talking wormhole: travelling / back
trees wormhole: The Diligence at Louveciennes, 1870
work wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay

 

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‘streetsigns …’

23 Friday Nov 2018

Posted by m lewis redford in announcements, poeviews

≈ 7 Comments

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1970, 2018, 6*, alley, Batman, buildings, cape, direction, east, height, moon, north, silhouette, solitude, south, space, story, streetsigns, wings

                streetsigns
                point north south east
                in silhouette

                buildings
                rise in solitary storey,
                the wings

                of the Batman
                unfurl under the
                moon and flutter

                suggesting
                all manner of alleyway
                between

 

unfurled from Batman #225, September, 1970; Denny O’Neill, Irv Novick

 

 

————w(O)rmholes________________________________|—–

Batman & buildings wormhole: raised brow
moon wormhole: ‘… plane is upright …’
silhouette wormhole: ‘a blacknight fitted perfectly …’
space wormhole: to let be

 

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‘a blacknight fitted perfectly …’

01 Monday Oct 2018

Posted by m lewis redford in poems, poeviews

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1967, 2018, 7*, arrival, Batgirl, Batman, beauty, black, books, eyes, glasses, identity, ink, knowledge, looking, mask, night, silhouette, skyline, talking

                a blacknight fitted perfectly
                over the local skyline like spilt ink

                as masks and blindfolds
                drove through the light to where

                silhouettes can talk
                in strictest identity and all the books

                can lean to the right where eyes beautiful look
                over rectangular glasses

 

Detective Comics #363, May 1967, Gardner Fox, Carmine Infantino: oh the rhymes we wend and the bends we play

 

 

————w(O)rmholes________________________________|—–

Batman & skyline wormhole: space for probing thought
beauty wormhole: only
black wormhole: TREES by William Carlos Williams
books womrhole: What You Are by Roger McGough
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
glasses wormhole: we held cold hands
identity wormhole: Victorian pipework
knowledge wormhole: singsong chant
looking wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
night wormhole: the moon, the moon
silhouette wormhole: despite that
talking wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on

 

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despite that

16 Sunday Sep 2018

Posted by m lewis redford in poems

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1966, 2018, 6*, apartment, Batman, Batmobile, between, city, clouds, driving, falling, hats, horizontal, kerb, light, melodrama, moon, night, passing, realisation, silence, silhouette, society, speech, stairs, streets, thinking, vertical

                                despite that

                between the rear fins and
                raised front screen shield

                the case began to settle,
                and the horizontal clouds

                parted to allow the
                Vertical City silhouettes;

                ‘gee, that’s swell,’ said a
                bystander to a witness,

                ‘they have a reason to
                 drive somewhere’, vrrrmm;

                that bowler hats were off
                to work as the moon

                climbed the downpipe
                and, giantly sat over the

                steering wheel the blow
                of resolution struck, the

                apartment lights hung
                unstraight and some fell

                off silently, but really,
                and down the street –

                fin to kerb, kerb to
                bonnet – they were

                getting nowhere fast
                up the staircase

 

 

 

————w(O)rmholes________________________________|—–

Batman & society wormhole: moon- // washed
city wormhole: What You Are by Roger McGough
clouds wormhole: coterminalism – there is nothing happens by itself, / 070118
light & streets wormhole: BLUEFLAGS by William Carlos Williams
moon wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
night & passing & silence & speech wormhole: only
realisation wormhole: you
silhouette wormhole: that
thinking wormhole: how to teach

 

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that

04 Saturday Aug 2018

Posted by m lewis redford in poems

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2018, 5*, border, clouds, crane, hills, island, Lanzarote, mist, silhouette, silver, sunset, world

                                that

                                now,

                that finger of low cloud catching
                its silver border from the set sun hangs

                further before and further aft
                than the construction crane,

                                still

                and holding nothing, standing, perhaps
                it holds up the hills and islands

                behind which it reaches – misty
                girt the silhouette – but the world

                turns and the crane is now
                foreshortened

 

 

 

————w(O)rmholes________________________________|—–

clouds wormhole: ‘the Bat-Signal …’
crane wormhole: Plumstead – Woolwich – Plumstead 220211
hills & silver wormhole: fifty-eight // and silent prayers
mist wormhole: DANSE RUSSE by William Carlos Williams
silhouette wormhole: between
sunset wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
world wormhole: thought

 

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between

25 Sunday Feb 2018

Posted by m lewis redford in poems

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2016, 6*, avenue, Batman, between, buildings, city, evening, eyes, looking, non-doing, rooftops, silhouette, sky, thought, throat

                of an early evening sky
                that roof top cables lay

                lank by flank of avenue
                of rise high building one

                might throw the weight
                of import in circles to

                follow where it lead but
                hold the eye open from

                throat to silhouette and
                do not flatter the process

                between

 

 

 

————w(O)rmholes________________________________|—–

Batman & silhouette wormhole: Batgirl –
buildings & rooftops wormhole: the silent night of the Batman
city wormhole: 1964
evening wormhole: Plumstead – Woolwich – Plumstead 220211
eyes & sky wormhole: and ‘naerrgh’ a mention of a seagull’s call
looking wormhole: green and / luminant / to behold
thought wormhole: Lapping Reflections [Deep Within Waters] – reaping

 

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… Mark; remember …

"... the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe to find ashes." ~ Annie Dillard

pages coagulating like yogurt

  • Bodhisattvacharyavatara
    • Chapter 1
    • Chapter 10
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Introduction
  • collected works
    • 25th August 1981 – count Up
    • askance From Hell
    • Batman
    • Bob 1995-2012
    • David Bowie Movements in Suite Major
    • Edward Hopper: Poems at an Exhibition
    • Eglinton Hill
    • FLOORBOARDS
    • Granada
    • in and out / the Avebury stones / can’t seem to get / a signal …
    • Lapping Reflections [Deep Within Waters]
    • Miller’s Batman
    • mum
    • nan
    • Portsmouth – Southsea
    • Spring Warwick breezes / over Bacharach fieldwork and boroughs with / the occasional shift and chirp of David / in the pastel-long morning of the sixties
    • The Boats of Vallisneria by Michael J. Redford
    • through the crash
  • index
    • #A-E see!
    • F–K, wha’ th’
    • L-P 33 1/3 rpm
    • Q-T pie
    • U-Z together forever
  • me
  • others
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  • wormholes

recent leaks …

  • “…and may the great elements…”
  • paisley // implicitly
  • this pocketed being
  • the inevitable tock // when we close our eyes
  • time
  • the simple prayer // the tattered poem // the bitter lament
  • taking birth
  • mirror
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  • ‘in my car I pass…’

Uncanny Tops

  • me
  • Moebius strip
  • YOUNG WOMAN AT A WINDOW by William Carlos Williams
  • 'in my car I pass...'
  • 'the practice ...'
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  • like butterflies on / buddleia
  • meanwhile
  • 'hello old friend ...'
  • under the blue and blue sky

category sky

announcements awards embroidery poems poeviews reflectionary teaching

tag skyline

'scape 2* 3* 4* 5* 6* 7* 8* 20th century 1967 1979 1980 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 acceptance afternoon air Allen Ginsberg anxiety architecture arm in arm attention awareness Batman beach beauty bedroom being birds birdsong black blue Bodhisattvacharyavatara books Bowie branches breakdown breathing breeze brown Buddha buildings career Carol cars change child childhood children city clouds coffee shop colour combe end comics communication compassion compromise crane creativity curtains dancing dark death distraction divorce doing doors dream Dr Strange earth echo Edward Hopper Eglinton Hill emergence emptiness evening eyes faces family father feet field floorboards garden Genesta Road girl giving glass gold grass green grey growth haiku hair hands Have hedge hill hills history holiday hope horizon house houses identity kitchen leaf leaves lemon letting go life lifetimes light lime listening living London looking lost love management managerialism mauve meaning mind mist moon morning mother mouth movement Mum muse music night notice open openness orange others park passing pavement people performance management pink Plumstead poetry pointlessness politics portrait posture power practice professionalism purple purpose quiet rain reaching reading realisation reality red requires chewing river roads roof rooftops samsara sea searching seeing settling shadow shops silence silhouette silver sitting sky skyline sleep smell smile snow society sound space speech step stone streetlight streets sun sunlight superhero table talking talking to myself teaching teaching craft Thames thinking thought time train travelling trees true nature university voices walking walls water waves white William Carlos Williams wind windows wood Woolwich words work world writing years yellow zazen

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