pediment to behold

Tags

1968, 2018, 5*, architecture, avenue, Batman, being, feet, Gil Kane, height, line, perspective, right angle, shops, view

                lines recede long
                down both flanks of avenue

                selling hats, jeans
                and deli; but leap deep into

                the perspective cut
                almost 90° to the rite of way

                and flying traces
                of the soles of your feet find

                levels of stepped architecture
                pediment to behold

 

right-angled from Detective Comics #371, “Batgirl’s Costume Cut-Ups” by Gardner Fox and Gil Kane, January 1968

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: Victorian pipework
Batman wormhole: pursued
being wormhole: on facing the Have
feet wormhole: The Passage of the St. Gothard, 1804
shops wormhole: stuck

 

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The Passage of the St. Gothard, 1804

Tags

1804, 2018, 6*, ambition, being, clouds, doing, emptiness, feet, height, identity, leaning, path, power, realisation, space, step, striving, William Turner

                this hideous gulf
                I step into, the path

                kept too tight to the
                bulgeoning sides

                urging my center
                of balance out from

                my picky feet; out here,
                I see that now;

                futher up, that I’ll
                never make, the heights

                of terrible summit
                commit unspeakable act,

                leaning to void,
                becoming cloud

 

 

 

^{————w}(O)rmholes_________________________________|—–

being & identity wormhole: to let be
clouds wormhole: SPRING AND ALL I by William Carlos Williams
emptiness wormhole: you
feet wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
path wormhole: the balance necessary between
power wormhole: What You Are by Roger McGough
realisation wormhole: despite that
space wormhole: ‘streetsigns …’
striving wormhole: the both passive and transitive / non-presumptive pre-conceptualist attenuation of being

 

The Boats of Vallisneria by Michael J. Redford – With Pigs

Tags

1967, apples, birdsong, cabbage, carrot, character, ears, eating, eyes, face, feet, field, fight, food, garden, humanity, living, Michael J Redford, morning, mud, piglets, pigs, pink, potato, pregnancy, presence, smell, smile, snoring, speech, speed, the Boats of Vallisneria, time

With Pigs

“Trouble is, you can smell ‘em a mile off.”   This was said not by a townsman as one would expect, but by a countryman.   He was referring to pigs and his observation was indicative of the general opinion and stigma that has surrounded the pig from time immemorial.   “The pig,” said Mrs Grundy, “is a disgusting creature of filthy habits who lives in a dark, odoriferous hovel and wallows in mud.   It is a creature whose appetite can never be satiated and is like a dustbin on four legs that will receive almost anything into its ever-open mouth and will, without a flicker of conscience, steal the last morsel of food from its neighbour.”   There is in fact a remarkable similarity between the pig and many humans.   Perhaps these are strong words, but then the smell of a pig kept in such conditions is even stronger and whose fault is it but that of its keeper.   The pig is essentially a clean animal.   True, it loves to make a mud wallow in the corner of a field on a hot day when the gnats are biting, but one can hardly call this dirty, especially when some females of the human family pay to have it plastered all over their faces and the males of the species come home covered from head to foot after playing games all afternoon in it.   Given plenty of clean straw, a sow will make a comfortable nest for herself and her offspring and will rarely foul her bed with droppings.   She reserves the brightest corner of the sty for this and even the young piglets instinctively use this special corner without any training whatsoever.   Because of this, it has been known for young pigs to be effectively house-trained.   A pig enjoys his food, he takes no pains to disguise the fact, and is usually most grateful for any special tit-bit that comes his way, refusing the offering only when he is ill.   Generally speaking, a hungry pig is a healthy pig.

Pigs are a happy and friendly people.   They are never too preoccupied (except when feeding – and that goes for many humans as well) to pass the time of day, and will chatter away for as long as you care to stay.   All they ask in return for the honour of their presence is a scratch behind the ear or a rub on the belly.   Unlike most people I have pigs at the bottom of my garden – not fairies, and I invariably spend a couple of hours therein each day.   After pottering around for some minutes there steals over me a strong feeling of a presence close at hand watching me with a purposeful eye destined to catch my attention.   I turn and find myself gazing into the friendly face of old Split Ear, a black and white Essex sow who has lived at the piggery now for some six or seven years.   Her name, though not very romantic, is appropriate, for her left ear had been rent asunder in her younger days from a fight with a barbed wire fence, and as the ears of this particular breed droop forward and cover the eyes, Split Ear would gaze quizzically at me through the hole in her ear, head cocked slightly to one side.   In early days when I first made her acquaintance, this feeling of being watched was a little disturbing.   She would stand stock still eyeing me in that cock-eyed manner of hers, noting with precision every move I made.   I mistook her friendly gaze of interest for one of criticism and became so annoyed with her that, early one March morning, I hurled a cabbage stalk at her which bounced off her snout and landed at her feet.   She sniffed at it, turned it over and, as she gazed up at me, I perceived that a delighted smile had spread across her face.   From that moment on we became close friends, and we would pass away many a pleasant moment in each other’s company.   I came to know and respect her many habits and fads and she in turn would confide in me her most intimate secrets.   One fine spring morning she told me that she was twelve weeks gone and had only another three to go.   We counted the days together and as she grew bigger and bigger and the great day approached, she developed a strong desire for sour apples.   I would offer a selection of tasty morsels such as a cabbage leaf, a potato, a carrot and an apple.   Each time she would eat the apple first and only when she realised that no more apples were forthcoming, would she set about devouring the remaining items.   Eventually the great day arrived and she disappeared into the maternity ward.   A week later, when he confinement was over, she proudly paraded her young ones before me for my inspection.   There were fourteen in all and a very even bunch they were too.   Normally a litter contains one or two piglets that are smaller and weaker than the rest, the runts, or cads as they are sometimes called, but old Split Ear’s troupe was so evenly matched, it was impossible to tell them apart.

All young animals have an innocence and a charm about them, but young piglets, to my mind, are the most endearing of all.   Their character can be likened to those of mischievous little schoolboys, full of fun and pranks and as happy as the day is long.   Often I would creep up on them unobserved to watch their antics, particularly on those days that invariably crop up from time to time when nothing goes right, and I am soon elevated from the doldrums by their uninhibited gaiety, it is a therapy that never fails.   Approach them silently, enjoy their antics awhile, then step from your hiding place. Instantly they freeze into diminutive statues, poised on the very tips of their dainty toes and, with not a quiver of muscle between them, they peer wickedly at you from the corners of their eyes.   Then suddenly, one of them will utter a staccato bark which is the signal for the tumult to continue.   These little creatures are so keen to be off that despite violent activity from their legs, they make no forward progress for several seconds and in spite of their efforts, remain in the same spot kicking up clouds of dust behind them.   Eventually their feet find a grip and they shoot off in all directions with the speed of bullets.   Owing to the momentum of these little pink projectiles, collisions are common and these frequently lead to fights in which all and sundry take part.   Noisy though it is, the melee rarely produces a serious casualty – a few scratched ears, grazed bellies and nipped tails perhaps, but seldom anything more serious and the cause of dissention is soon forgotten.   The only other occasion on which a difference of opinion is likely to occur is that of the feed time scrum down.   The normal pattern of events here is that one piglet is gradually squeezed off the end of the line until he finds himself out in the cold and teat-less.   With unabated fury, he then hurls himself upon his fellow diners which immediately causes someone else to be pushed off the other end.   This sets up a cycle of events that flags only when the energy begins to fail and the bellies begin to fill, and soon nothing is heard but the song of a bird and the satisfied snoring of pigs.

Likening them once more to schoolchildren, it is surprising how quickly they grow up, how quickly the irrepressible energy of youth is funnelled into mature and profound thoughts that mould the character.   And pigs do think – of this I am convinced.   One has merely to accept them and to treat them as equals to discover their thoughtful looks, their smiles of delight and to understand their many moods which are so very much like our own.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

eyes & morning & time wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
feet wormhole: THURSDAY by William Carlos Williams
field wormhole: THE DESOLATE FIELD by William Carlos Williams
garden wormhole: Sheffield Park Gardens
living wormhole: only
pink wormhole: we held cold hands
smell wormhole: BLUEFLAGS by William Carlos Williams
smile wormhole: A Solitude by Denise Levertov
speech wormhole: despite that

 

THURSDAY by William Carlos Williams

Tags

1921, 6*, air, ambition, awareness, being, body, breathing, clothes, dream, eight worldly dharmas, feeling, feet, ground, hats, life, living, looking, nose, shoes, sky, talking to myself, Thursday, weight, William Carlos Williams

                                THURSDAY

                I have had my dream–like others–
                and it has come to nothing, so that
                I remain now carelessly
                with feet planted on the ground
                and look up at the sky–
                feeling my clothes around me,
                the weight of my body in my shoes,
                the rim of my hat, air passing in and out
                at my nose–and decide to dream no more.

 

from Sour Grapes, 1921

a song, perhaps, to sing when once one is retired, althout WCW was only in his thirties when he wrote this, which possibly means you don’t have to wait to be broken by the long haul in order to realise the beauty oftheworldwhichcrushesyou is precisely where you stand in it with being rather than reach …; we try to make ourselves so solid and de-fined by what we want rather than what we are, that we are afraid of the openness of the sky that arcs so far away from us, but that when we jump right into it – the ultimate skinny-dip – we feel ourselves so solid on the ground from which we leapt … he wasn’t a showman, old Bull Williams, but he knew his shit, even from the age when you wouldn’t believe it

 

 

^{————w}(O)rmholes_________________________________|—–

air & being wormhole: A Solitude by Denise Levertov
awareness wormhole: letting them go
breathing wormhole: Khandro Tsering Chodron
dream wormhole: “I need help”
feet wormhole: What You Are by Roger McGough
life wormhole: Lapping Reflections [Deep Within Waters] – old George
living wormhole: `whappn’d!
looking wormhole: cowl
sky wormhole: we held cold hands
talking to myself wormhole: so / do I keep on writing now I’ve retired, or … / Rumplestiltskin
William Carlos Williams wormhole: JANUARY by William Carlos Williams

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

‘oh my girls and muse …’

Tags

2017, 3*, eyes, faces, feet, girls, love, muse, passing, story, toes

                      oh my girls and
                           muse
                      you tell such finer
                           stories
                      with your flanks of feet and toes
                           than
                      with your stone face and
                           anxious

                           eyes

 

 

 

^{————w}(O)rmholes_________________________________|—–

eyes wormhole: {Ellen Terry’s house}
faces wormhole: … the underleaves show
feet wormhole: two profiles
love wormhole: hold them
muse wormhole: and I lose sight of her into memory
passing wormhole: amniotic avenue

 

two profiles

Tags

2016, 5*, balcony, being, chair, eyes, face, feet, hair, legs, Lewes, library, mouth, neck, passing, pen, portrait, reading, skyline, step, study

                two profiles

                reading – backdrop of cascade swept back across neck
                line from thinned mouth to pen to poise to foot on
                chair leg to foot step to ground …

                    step past un-laced shoe bounce girder-sprung
                                                            balcony,
                                                    no,
                                          forgot
                                    some
                    thing, got it now, settling down to reception

                studying – cascade over both shoulders crescent face
                with hood eyes and smirky mouth, counter-recline
                of neck to body to outstretch legs crossed at boot

                tinkling the laptop awhile with open-mouthed
                tentation hidden by the handbag, skylined by flask

 

 

 

^{————w}(O)rmholes_________________________________|—–

being wormhole: ‘still …’
eyes & mouth wormhole: looking ahead
face wormhole: and // do your ears burn red?
feet wormhole: when the rain has settled / the dust
hair wormhole: Batgirl –
Lewes wormhole: reating & wriding
library wormhole: ‘God, who am I …?’
passing wormhole: “I need help”
reading wormhole: for / the first time
skyline wormhole: river

 

when the rain has settled / the dust

Tags

2018, 6*, air, attachment, Bodhisattvacharyavatara, feet, holiday, Lanzarote, living, rain, rainbow, sound, study, time, volcano, wanting

                so the lay of the day
                sets differently than ago and

                we have to unpack everything
                and decide where it will go

                before we hear naked feet slamp
                on vinyl floor and tile

                before the rainbow hangs
                a curtain between one volcano

                and the next but one, before the
                notes on the text become

                unnecessary-enough to know
                that combustion happens only when

                I-want-things-to-happen and
                when I-do-not-want-things-to-happen

                as before, that new air
                folds through an apartment only

                when the rain has settled
                the dust

 

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: Cocktails in 1951
feet wormhole: om muni muni maha muniye soha
holiday wormhole: concordance
living wormhole: Sandwich
rain wormhole: for / the first time
sound wormhole: London refugee march – 120915
study wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
time wormhole: is this it // all the time

 

om muni muni maha muniye soha

Tags

2015, 6*, beach, body, bones, Buddha, feet, fruit, gods, Gran Canaria, heat, identity, ink, knuckles, leisure, mantra, salt, Shakyamuni, sound, Spanish, stone, story, swimming, toes, water

                hola de nuevo Gran Canaria
                quiet crucible of dimpled buttock
                and all the beach furniture of recline
                balmy Spanish exchanged – warm water
                poured slappingly on hot languid stone

                om muni muni maha muniye soha

                hola de nuevo Gran Canaria
                with your reveal of dark ink identity
                your candid feet with no guile, each toe
                tells a different story to your tread – painted
                toes and slight bones between knuckles

                om muni muni maha muniye soha

                ah, you bodies you slink
                cool and day-glo all about me
                you bath-robe gods high above
                with your salt-water pools and fruit –
                the headland a giant sitting Buddha

                om muni muni maha muniye soha

 

 

 

^{————w}(O)rmholes_________________________________|—–

beach wormhole: is there anything to write?
Buddha wormhole: child
feet wormhole: cinnamon / milkshake
identity & water wormhole: and // do your ears burn red?
sound wormhole: Plumstead – Woolwich – Plumstead 220211
stone wormhole: St. Mark’s flies flagpole upwards / with the forelegs hanging down obscene / reaching some height blindly to connect / out from the long-stalk tri-separating up- / to-seeded rounds of pod like acacia what / is it called “‘hogweed’ I-don’t-know- / what-it’s-called-but-goats-love-it-and- / it-makes-them-burp-a-lot”

 

cinnamon / milkshake

Tags

2014, 4*, Amsterdam, cactus, cinnamon, cream, feet, flowers, love, milkshake, orange, others, passing, terrace, walking, watching

                cinnamon
                milkshake

                barely coloured
                and creamy as the
                depth of orange

                straw on the
                terrace before the
                flower stalls with

                bulbs and cacti
                watching the
                hundred different

                ways that feet
                place and lift

 

 

 

^{————w}(O)rmholes_________________________________|—–

evening wormhole: the evening
love wormhole: immeasurable love
orange wormhole: pink and orange
others & walking wormhole: is there anything to write?
passing wormhole: Cocktails in 1951