The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams

Tags

1928, 6*, arms, Atlantic City, beauty, being, black, blue, candle, cheek, city, colour, communication, daisies, dress, ears, eyes, fingers, glass, green, grey, hair, hands, hips, knuckles, lips, looking, matches, mirror, mouth, movement, open, orange, others, portrait, poverty, red, reflection, ring, ruby, sea, seagull, silence, skin, sound, speech, temptation, thinking, walking, waves, white, William Carlos Williams, windows, woman, wrists, writing

                            1. THE WAITRESS

                No wit (and none needed) but
    the silence of her ways, grey eyes in
    a depth of black lashes–
    The eyes look and the look falls.

    There is no way, no way. So close
    one may feel the warmth of the cheek and yet there is
    no way.

    The benefits of poverty are a roughened skin
    of the hands, the broken
    knuckles, the stained wrists.

                Serious. Not as the others.
    All the rest are liars, all but you.
                                        Wait on us.
    Wait on us, the hair held back practically
    by a net, close behind the ears, at the sides of
    the head. But the eyes–
                            but the mouth, lightly (quickly)
    touched with rouge.

    The black dress makes the hair dark, strangely
    enough, and the white dress makes it light.
    There is a mole under the jaw, low under
    thr right ear–

                And what arms!

                                        The glassruby ring
    on the fourth finger of the left hand.

                                        –and the movements
under the scant dress as the weight of the tray
    makes the hips shift forward slightly in lifting
    and beginning to walk–

    The Nominating Committee presents the following
    resolutions, etc. etc. etc. All those
    in favor signify by saying, Aye. Contrariminded,
    No.
      Carried.
                And aye, and aye, and aye!

    And the way the bell-hop runs downstairs:
          ta tuck a
                ta tuck a
                      ta tuck a
                            ta tuck a
                                  ta tuck a
    and the gulls in the open window screaming over the slow
    break of the cold waves–

                O unlit candle with the soft white
    plume, Sunbeam Finest Safety Matches all together in
    a little box–

                And the reflections of both in
    the mirror and the reflection of the hand, writing
    writing–
                Speak to me of her!-

                –and nobody else and nothing else
    in the whole city, not an electric sign of shifting
    colors, fourfoot daisies and acanthus fronds going from
    red to orange, green to blue–forty feet across–

                                        Wait on us, wait
    on us with your momentary beauty to be enjoyed by
    none of us. Neither by you, certainly,
                                                nor by me.

 

with love from Poems, 1928

 

 

^{————w}(O)rmholes_________________________________|—–

beauty & speech wormhole: ‘… and yet I think I am so modest: …’
being wormhole: so, how long is, a piece of string?
black wormhole: Impression of Winter: Carriage on a Country Road, 1872
blue & grey & writing wormhole: Hastings: neither all or nothing
city & William Carlos Williams wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
communication wormhole: agreed termination without prejudice
eyes wormhole: between
glass & red wormhole: travelling / back
green & woman wormhole: on facing the Have
hair wormhole: SPRING & LINES by William Carlos Williams
hands wormhole: THE LONELY STREET by William Carlos Williams
looking wormhole: waiting to be heard
mirror wormhole: What You Are by Roger McGough
mouth wormhole: glamour of saṃsāra
open wormhole: animus rises – powieview #37
orange & others & walking wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
reflection wormhole: I
sea & seagull & waves wormhole: Staffa Fingal’s Cave, 1832
silence & sound wormhole: Vue de Pontoise, 1873
thinking wormhole: there will be ovations
white wormhole: alabaster balustrade
windows wormhole: birth in the world

 

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THE LONELY STREET by William Carlos Williams

Tags

1921, 5*, black, carnation, growth, hands, loneliness, looking, mouth, pink, school, schoolgirls, streets, time, walking, white, William Carlos Williams, yellow

                                THE LONELY STREET

                School is over. It is too hot
                to walk at ease. At ease
                in light frocks they walk the streets
                to while the time away.
                They have grown tall. They hold
                pink flames in their right hands.
                In white from head to foot,
                with sidelong, idle look–
                in yellow, floating stuff,
                black sash and stockings–
                touching their avid mouths
                with pink sugar on a stick–
                like a carnation each holds in her hand–
                they mount the lonely street.

 

from Sour Grapes, 1921

 

 

^{————w}(O)rmholes_________________________________|—–

black wormhole: ‘a blacknight fitted perfectly …’
hands wormhole: we held cold hands
loneliness wormhole: DANSE RUSSE by William Carlos Williams
looking & streets & time & walking wormhole: ‘… plane is upright …’
mouth wormhole: letting them go
pink wormhole: Lapping Reflections [Deep Within Waters] – pigs
school wormhole: how to teach
white wormhole: SPRING & LINES by William Carlos Williams
William Carlos Williams wormhole: LIGHT HEARTED WILLIAM by William Carlos Williams
yellow wormhole: What You Are by Roger McGough

 

we held cold hands

Tags

2018, 6*, acquamarine, airport, bardo, beach, buoy, Carol, clouds, cold, electric, engine, glasses, grey, hands, holiday, horizon, Lanzarote, love, Morecambe, morning, pink, planes, sea, sky, sound, streets, sunset, time, volcano, walking, waves, white

                we walked by the airport with tinted glasses
                flights coming in going out while the

                sun set behind; without tripping
                the waves lapped and swashed as they do

                but broke electric white and fetched
                electric aquamarine all along under

                the gauzy pink and far horizon
                while jet engines cracked their power and

                streets of new villas hung like morning belts
                of cloud before the still-dormant volcanoes;

                finding noway round an air port
                we about-turned to vainly chase the sun

                down; the sea, now, met the sky
                in bardos of grey and buoy, the belts

                of cloud had turned electic, the planes
                taxi’d twice their size before take off and

                we held cold hands through it all
                like first we did in Morecambe decades ago

 

see also: the Last Day of Morecambe Illuminations for the prenouement

 

 

^{————w}(O)rmholes_________________________________|—–

beach & sea wormhole: Khandro Tsering Chodron
Carol wormhole: `whappn’d!
clouds & glasses & hands & love & morning & time & waves wormhole: What You Are by Roger McGough
grey & sky wormhole: THE DESOLATE FIELD by William Carlos Williams
holiday & white wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
horizon wormhole: mauve
pink wormhole: Lapping Reflections [Deep Within Waters] – old George
sound & streets wormhole: A Solitude by Denise Levertov
sunset wormhole: that
walking wormhole: PASTORAL by William Carlos Williams

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

A Solitude by Denise Levertov

Tags

1961, 7*, air, anxiety, being, blindness, breeze, children, Denise Levertov, doors, exit, face, hands, image, journey, joy, light, movement, nowhere, passing, people, presence, quiet, right, seeing, shame, smile, solitude, sound, speech, stairs, staring, station, stranger, streets, sunlight, thought, train, water, way, world

                                A Solitude

                A blind man. I can stare at him
                ashamed, shameless. Or does he know it?
                No, he is in a great solitude.

                O, strange joy,
                to gaze my fill at a stranger’s face.
                No, my thirst is greater than before.

                In this world he is speaking
                almost aloud. His lips move.
                Anxiety plays about them. And now joy

                of some sort trembles into a smile.
                A breeze I can’t feel
                crosses that face as if it crossed water.

                The train moves uptown, pulls in and
                pulls out of the local stops. Within its loud
                jarring movement a quiet,

                the quiet of people not speaking,
                some of them eyeing the blind man,
                only a moment though, not thirsty like me,

                and within that quiet his
                different quiet, not quiet at all, a tumult
                of images, but what are his images,

                he is blind? He doesn’t care
                that he looks strange, showing
                his thoughts on his face like designs of light

                flickering on water, for hedoesn’t know
                what look is.
                I see he has never seen.

                And now he rises, he stands at the door ready,
                knowing his station is next. Was he counting?
                No, that was not his need.

                When he gets out I get out.
                ‘Can I help you towards the exit?’
                ‘Oh, alright.’ An indifference.

                But instantly, even as he speaks,
                even as I hear indifference, his hand
                goes out, waiting for me to take it,

                and now we hold hands like children.
                His hand is warm and not sweaty,
                the grip firm, it feels good.

                And when we have passed through the turnstile,
                he going first, his hand at once
                waits for mine again.

                ‘Here are the steps. And here we turn
                to the right. More stairs now.’ We go
                up into sunlight. He feels that,

                the soft air. ‘A nice day,
                isn’t it?’ says the blind man. Solitude
                walks with me, walks

                beside me, he is not with me, he continues
                his thoughts alone. But his hand and mine
                know one another,

                it’s as if my hand were gone forth
                on its own journey. I see him
                across the street, the blind man,

                and now he says he can find his way. He knows
                where he is going, it is nowhere, it is filled
                with presences. He says, I am.

 

how to be in another’s head about being in another’s head: this is a wonderful example of Whalen’s ‘graph of the mind’ – the reach and score of effervent; there is a wonderful clarity and excise about these words such that the encounter is ours as much as just reported; thank you Denise Levertov, as she touches her throat lightly to feel the vibrations as she listens

 

 

^{————w}(O)rmholes_________________________________|—–

air wormhole: THE DESOLATE FIELD by William Carlos Williams
anxiety wormhole: anxiety
being & water wormhole: `whappn’d!
breeze & hands wormhole: Lapping Reflections [Deep Within Waters] – old George
doors wormhole: letting them go
light wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
passing wormhole: SPRING STRAINS by William Carlos Williams
people wormhole: tram
quiet wormhole: new blue porsche
seeing wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
smile wormhole: SUMMER SONG by William Carlos Williams
streets wormhole: PASTORAL by William Carlos Williams
thought wormhole: presence
train wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
world wormhole: scintillating to mind’s content

 

Lapping Reflections [Deep Within Waters] – old George

Tags

1967, 7*, branches, breeze, brother, child, clouds, cuckoo, dust, earth, echo, Essex, green, hands, home, journey, land, lark, life, meadow, mind, pink, poem, retirement, scythe, shirt, Shropshire, silence, smell, speech, stone, time, wind, woodland, writing

                                old George

                long retired from land, unable to
                keep soil from his boots, continues
                working, earth and life, picking up

                branches and stones; the blades
                cut clean, men in the meadows
                sway to the rhythm of scythes,

                stems fall graceful to swathe and
                green aroma, the diminishing island
                cut to the last, magnified by

                silence, a lark high above the
                dust; the breezes will dry the
                stalks to rustle and the distant

                woods will echo – cuckoo; it is
                then the child places the building
                block on the nursery floor when

                there will be no time, day after
                day, save for forks of pitch and
                hands that burn pink and stalk

                of shirt and sweat, constant under
                minds of approaching storm cloud
                before the last journey home; old

                George had removed his jacket
                picking out fluff from the corners
                of a pocket, “…used to be my brother’s;

                lived in Shropshire … didn’t
                find no pound notes in it, just fluff,
                a few hay seeds,” flung them

                to the Essex wind – scattered
                poems and stacked essays,
                typed up and waiting to behold

 

read the collected work as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Making Hay

 

 

^{————w}(O)rmholes_________________________________|—–

branches wormhole: presence
breeze wormhole: chuckling
child wormhole: next unexpected step
clouds wormhole: that
echo wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
green wormhole: PASTORAL by William Carlos Williams
hands & life & retirement wormhole: beguiled / desire
mind & writing wormhole: scintillating to mind’s content
pink & stone wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
silence & speech wormhole: new blue porsche
smell & time wormhole: LOVE SONG by William Carlos Williams
wind wormhole: TREES by William Carlos Williams

 

beguiled / desire

Tags

2018, 7*, ageing, death, desire, drifting, evening, hands, heart, holding onto, letting go, life, retirement, sleep, song, Ulysses

                when I tie myself to a mast
                and the evening is closing in without,

                without that song that deliciously
                extricates my beating heart I know,

                I know ‘tis time to loose those bonds
                from my numb and welt hands caught

                once again and ever by beguiled
                desire better, by far, to drift where I lie

 

 

 

^{————w}(O)rmholes_________________________________|—–

death wormhole: moon- // washed
evening wormhole: between
hands wormhole: sufficiently away
letting go wormhole: anxiety
life wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
retirement wormhole: someone’s got to do it
sleep wormhole: DANSE RUSSE by William Carlos Williams

 

sufficiently away

Tags

1966, 2017, 4*, avenue, Batman, city, escape, flight, hands, head, leaves, moon, Poison Ivy, thought

                clothed by leaves
                under the thoughts of the moon

                her hand pulled
                his head to her; he had to hold

                tight to mere cord
                high over avenues to get

                sufficiently away

 

from Batman #183, August 1966: “A Touch of Poison Ivy!”, written: Robert Kanigher, drawn: Sheldon Moldoff

 

 

^{————w}(O)rmholes_________________________________|—–

Batman wormhole: between
city wormhole: I
hands wormhole: frame
leaves wormhole: breakfast
moon wormhole: Cocktails in 1951
thought wormhole: behind / glass walls and wan and hooded eye

 

frame

Tags

1964, 2016, 4*, Dr Strange, frame, hands, magic, movement, open, seeing, society, Steve Ditko, windows, world

                hands like open plates
                send the seed of
                miniature through
                opened windows

                in a world that
                fashioned windows to
                see all movement,
                requires the cross of

                frame

 

from Strange Tales #117, ‘The Many Traps of Baron Mordo’, February 1964; Lee & Ditko

 

 

^{————w}(O)rmholes_________________________________|—–

1964 & Dr Strange & windows wormhole: turned backs of saddened victory
hands wormhole: and // do your ears burn red?
open wormhole: for / the first time
seeing & society wormhole: and ‘naerrgh’ a mention of a seagull’s call
world wormhole: circuitry

 

and // do your ears burn red?

Tags

2015, 5*, blond, clothes, dark, ears, eating, face, girl, hands, hotel, identity, kitchen, life, night, passing, red, sweat, Sylvia Plath, talking, time, twilight, water, writing

                and do your ears burn red, or do you,
                washing dishes, with those same clothes
                rotting under your armpits, still talk
                about visigoths to your pathetic self

                and divine nothing?   I put you in a book,
                because a girl with blond hair told me
                about you one night eating grapes in the
                twilight kitchen, the planes of her face

                growing darker; two years ago, with those
                same clothes, stood in the doorway of the
                old hotel watching a girl named Ann, with
                wet hair walk beside Lake George; acrid,

                now, with the stench of dried sweat and
                your long black hair, your hands puffed
                and creased from the hot water; tell me,
                do your ears burn red?

 

bevelled up into bas-relief out of entry 120. of The Journals of Sylvia Plath, 1950-1962

 

 

^{————w}(O)rmholes_________________________________|—–

girl wormhole: snapshots about Totnes
hands wormhole: place
hotel wormhole: constant hummm
identity & life wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
kitchen wormhole: out
night wormhole: humm
passing wormhole: passing
red wormhole: Bexhill 140215
Sylvia Plath wormhole: at table 21 in the garden centre thinking to / replicate Hughes’ exercise for Plath about / the Yew Tree
talking wormhole: Cocktails in 1951
time wormhole: Plumstead – Woolwich – Plumstead 220211
twilight wormhole: good going into / that gentle night
water wormhole: all the sandstone / reflections in the / marble-blue troughs
writing wormhole: found