the simple prayer // the tattered poem // the bitter lament

Tags

2022, 8*, action, architecture, balance, black, blindness, Boris Johnson, Bowie, cause and effect, cave, daughter, desert, Donald Trump, female, God, gods, heart, history, internet, invisible, king, land, lies, Life on Mars?, love, male, Manjushri, market, noise, notice, others, people, plateau, Plato, poem, power, prayer, proliferation, propaganda, quiet, resource, rhetorical interrogative, Russia, science, self, serendipity, slave, smile, soap, soap-opera, springs, stranger, sword, throat, time, tragedy, truth, Ukraine, value, Vladimir Putin, war, windows, wisdom

the simple prayer

may quiet springs of
value-in-other always disperse
the black and grimy history
of power-over-other
like soap



—~~~\\\ ” sp ” ///~~~—

                                                                      the tattered poem

                                                  may …

                                        over millennia
                                        between peppered millions
                                        at surprise times and sad

                                        across rolling lands
                                        and conserved desert
                                        and steppèd plateau

                                        quiet springs
                                        everywhere
                                        serendipitous

                                        hand-cupped chin, lipless
                                        smile, no-halt act, surge
                                        `tween heart and throat

                                        unnoticed invisible
                                        daughter stranger slave;
                                        the black and grime of

                                        history of power over other
                                        storeyed and high-
                                        windowed, cacophonous

                                        and market-squared
                                        rhetorically interrogative
                                        aside truth:

                    … may they disperse
                    this impossible tension
                    like soap

—~~~\\\ ” tp ” ///~~~—

the bitter lament

“may” is a petition – to a god, to God or to ‘let it be’, it doesn’t matter as long as it is beyond ‘self’ – a directing of hearts (the only armaments that don’t cost a nation), a massing of resource (as-yet untapped and unexploited), a manoeuvring of cause and effect (the only true use of science), a discernment of love like the sharpest of flaming swords; “other” is anything or anyone which is not “myself” and, like a tragic farce played out on the widest of stages, cast of a thousand-thousand “myself”-s (hurry – for one aeon only; apply for auditions here), proliferates inponentially to the power of blind-folded distinction; “history” – I don’t want to know the history that led up to the invasion of Ukraine by Russia, it is a soap-opera that I have seen “ten times or more”, not sure if “I’ve wrote it ten times or more”, “it’s about to be writ again” and I’ve long since abandoned any hope that an original line is to be found anywhere in the entire web of the universe; “power” is male, but male woefully out of balance, to act, to control, to make, to command on the basis of a wobble-board, the king of the castle chanting empty rhymes, unbalanced with respect to “other” and with respect to what-is without blindfolds, a spoilt child who smirks what he wants, a Johnson who dares what he deceives, a Trump who deceives what he wants, a Putin deceived by empty rhymes, so involuted that even before they think to open their mouths have been lying for generations within centuries; “prayer”, “poem”, “lament” is “female”, which is never mentioned, it is “wisdom” (which is never used), it is the balance to male (which is never considered – ‘too impractical’), it is the reference to “other” and the reference to “what-is” (whether “what-is” is blind-folded or not), it is not the replacement of male (that would make it … male), it is the heart-surge of care empty of all self-reference which, unfortunately, has been left in a cave, somewhere, some say in chains, and entertained with flickering lights on the back-wall, for millennia …

 

 

 

^{————w}(O)rmholes_________________________________|—–

architecture wormhole: despite all / depiction
balance wormhole: the balance necessary between
black wormhole: nowhere / that can be seen
daughter wormhole: looking ahead
history & time & war wormhole: mirror
love wormhole: ‘she shook the sweets…’
others wormhole: ‘the practice &…’
power wormhole: eyes like petals
quiet wormhole: – creak –
resource wormhole: the Apple
smile wormhole: light of all interaction
windows wormhole: YOUNG WOMAN AT A WINDOW by William Carlos Williams

eyes like petals

Tags

2019, 6*, anger, Arya Lalitavistara, attachment, Bodhi Tree, Buddha, compassion, earth, eyes, government, hate, identity, life, lotus, lust, Mara, orbit, power, self-grasping, sitting, stillness, suffering

                the variety of grotesquery
                with which beings grasp their self

                the various grips of power
                through summits of council

                and various arrays of stake and brandishment
                appear as the armies of Mara,

                the thirty two ways of seducing
                that would fill life to the full

                over both his shoulders
                while sat under the Tree as endlessly still

                as the orbiting earth;
                the Bodhisattva turned his head,

                clean as no motivation at all
                to exposure and scattered diaspora,

                but looked on them all
                with eyes like petals

 

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: Candaka
compassion wormhole: at Kreukenhof
eyes wormhole: Lapping Reflections [Deep Within Waters] – sooner; / and later
identity & life wormhole: none and all
power wormhole: the Bodhisattva set out / for the Seat of Awakening
sitting wormhole: quietly in my quiet house

 

the Bodhisattva set out / for the Seat of Awakening

Tags

2019, 7*, Arya Lalitavistara, Bodhisattva, Buddha, calm, dark, demon, earth, echo, elephant, food, ground, happiness, light, lion, lotus, mindfulness, mountain, omniscient, past life, path, plateau, power, river, samsara, spontaneity, stars, step, three poisons, Tree of Awakening, view, walking, wheel

                so he bathed in the Nairañjanā,
                he ate the food, his strength

                returned, and he began the walk
                toward the Great Tree; he walked

                with easy gait, grounded
                as a mountain, each step gained

                and graceful with no fight, dream
                or idea; the placement pad of a lion,

                the calliper-swing of an elephant,
                a stride that touched not the earth

                but left perfect wheels
                upon the ground, a step that echoed

                across the plateau, a step that
                levelled mountain paths, each step

                that lead to happy lands,
                each step sprung from past lotuses

                of love and stable intention,
                that rendered demons powerless

                that calmed all view, that evanesced
                the darkness and stopped the

                endless endless rounds; his
                walk outshone the distant stars,

                his walk becalmed the rulers;
                the walk spontaneous, the walk

                omniscient, the walk mindful
                of every ancient step, with such a gait

                the Bodhisattva set out
                for the Seat of Awakening

 

from the Arya Lalita Vistara Nama Mahayana Sutra – the life story of the Buddha – originally using the words from the translation by the Dharmachakra Translation 84000 Committee which is freely available online here (for which thank you, thank you) and then other words once my gaze had settled into the image; the ‘Nairañjanā’ is the river by which the Buddha practised his austerities, the ‘food’ was that given to him by Sujata

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: Sujātā
echo wormhole: so, how long is, a piece of string?
light wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
path wormhole: alabaster balustrade
power wormhole: in turgid reflection
river wormhole: Great Bridge, Rouen, 1896
stars wormhole: 11/1 by William Carlos Williams
walking wormhole: Valentine’s Day 2019

 

in turgid reflection

Tags

1838, 2019, blood, blue, claim, ghosts, government, grandeur, happening, horizon, industry, pillars, politics, power, reflection, retrospect, river, rust, sky, sound, sunset, Turner

                the clank and graunch of distant industry
                and government brushed pillared and ghostly

                across the known horizon, blue and sullied
                through un-attributable disclaiment;

                nothing has happened until it has stopped
                and only then is there fiery grandeur of

                retrospect; you can hold the power
                the higher you mast and defy all

                settled relation, but the sun will always set
                with rust in the sky like dried blood and

                in turgid reflection

 

woven within and despite The Fighting ‘Teméraire’ tugged to her last berth to be broken up, 1838 by William Turner

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: threshold to behold
ghosts wormhole: so, how long is, a piece of string?
horizon wormhole: Puerto del Carmen
politics wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
power wormhole: the old man;
reflection wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
river wormhole: on facing the Have
sky wormhole: A Corner of the Garden at the Hermitage, 1877
sound wormhole: abandoned sound mirrors

 

the old man;

Tags

2019, 8*, bougainvillea, Buddha, hope, life, lute, meaning, ochre, old age, open, pink, politics, power, purpose, renunciation, samsara, society, the Four Signs, time, walking, wind, windows

                the old man;

                by the open window –
                air of civic celebration

                flowering deep pink
                bougainvillea on ochre

                wind, but despite
                all iron machination

                the Prince of all
                that hope could keep

                had seen that Make
                held long-together only

                with foresworn and
                decrepit elapse

                that bent walking
                could behold;

                and the borough might hold
                but there were

                further portents
                on the way and a

                fourth that
                warranted all wasteland –

                when the lute-string
                snapped

 

An old man was the first of the Four Signs that tipped the Prince to thinking that there was more to life than privileged indulgence – there was a seriousness in life to consider which his father had designed to keep from him; when the Prince had been born, there was a prophecy that he would either become a great king enjoying power and influence far beyond, even, what his father had achieved, or that he would leave home and become a seeker of deeper purpose and meaning in life, but the father could not keep all of life’s questions at bay for the rest of the Prince’s life … the other Signs were: illness, death and worldly renunciation; this encounter fore-shadowed the Prince leaving his home to search for that deeper meaning and purpose

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: birth in the world
life & time & walking wormhole: Puerto del Carmen
meaning wormhole: to let be
ochre wormhole: every step I take
open & windows wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
pink wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
politics wormhole: how to teach
power & society wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
renunciation wormhole: and … // … sound
samsara wormhole: Batman: Oddysey
wind wormhole: {reading right to left}

 

Rain, Steam and Speed – the / Great Western Railway, 1844

Tags

1844, 2019, 6*, bridge, conception, direction, ideas, industrialisation, orange, others, passing, power, progress, rain, rural to urban migration, settlement, society, speed, steam, train, Turner, walking

                Rain, Steam and Speed – the
                Great Western Railway, 1844

                scattered above and about,
                ambulatory had always been

                protrusion of line and extrapolation
                far from the madding crowd

                but ‘twas only when fancy
                burnt coal and surmise

                in proceeding kettle that
                bridges and orange were conceived

 

emerging out from Rain, Steam and Speed – the Great Western Railway by William Turner, 1844

 

 

^{————w}(O)rmholes_________________________________|—–

bridge wormhole: Le Pont Royal, 1909
orange wormhole: La Route, Effet d’Hiver, 1872
others & walking wormhole: waiting to be heard
passing & society wormhole: Staffa Fingal’s Cave, 1832
power wormhole: on facing the Have
rain wormhole: SPRING AND ALL XXII by William Carlos Williams
train wormhole: Batman: Oddysey

 

on facing the Have

Tags

2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

^{————w}(O)rmholes_________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

The Passage of the St. Gothard, 1804

Tags

1804, 2018, 6*, ambition, being, clouds, doing, emptiness, feet, height, identity, leaning, path, power, realisation, space, step, striving, William Turner

                this hideous gulf
                I step into, the path

                kept too tight to the
                bulgeoning sides

                urging my center
                of balance out from

                my picky feet; out here,
                I see that now;

                futher up, that I’ll
                never make, the heights

                of terrible summit
                commit unspeakable act,

                leaning to void,
                becoming cloud

 

 

 

^{————w}(O)rmholes_________________________________|—–

being & identity wormhole: to let be
clouds wormhole: SPRING AND ALL I by William Carlos Williams
emptiness wormhole: you
feet wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
path wormhole: the balance necessary between
power wormhole: What You Are by Roger McGough
realisation wormhole: despite that
space wormhole: ‘streetsigns …’
striving wormhole: the both passive and transitive / non-presumptive pre-conceptualist attenuation of being

 

What You Are by Roger McGough

Tags

1967, accident, advertising, apple, blood, books, buildings, canal, cat, cattle, children, city, clock, clouds, cuckoo, curtains, dawn, death, depth, derelict, dew, distance, duty, eyes, feet, fish, flesh, flowers, found, frog, glasses, God, goldfish, grass, green, hands, heartbeat, Hiroshima, humanity, innocence, ivy, kiss, leaves, library, love, Lusitania, madness, measure, midnight, mirror, moment, morning, moth, mother, murder, neurosis, peace, petals, plastic, poem, politicians, power, prayer, pride, Roger McGough, rosary, sand, seeds, silence, Spring, stage, station, subconscious, sun, sword, symbol, teacher, tears, teeth, time, torpedo, treason, trees, van Gogh, voices, walls, war, water, waves, wind, windows, winter, womb, world, World War, yellow

                What You Are

                you are the cat’s paw
                among the silence of midnight goldfish

                you are the waves
                which cover my feet like cold eiderdowns

                you are the teddybear (as good as new)
                found beside a road accident

                you are the lost day
                in the life of a child murderer

                you are the underwatertree
                around which fish swirl like leaves

                you are the green
                whose depths I cannot fathom

                you are the clean sword
                that slaughtered the first innocent

                you are the blind mirror
                before the curtains are drawn back

                you are the drop of dew on a petal
                before the clouds weep blood

                you are the sweetfresh grass that goes sour
                and rots beneath children’s feet

                you are the rubber glove
                dreading the surgeon’s brutal hand

                you are the wind caught on barbed wire
                and crying out against war

                you are the moth
                entangled in a crown of thorns

                you are the apple for teacher
                left in a damp cloakroom

                you are the smallpox injection
                glowing on the torchsinger’s arm like a swastika

                you are the litmus leaves
                quivering on the suntan trees

                you are the ivy
                which muffles my walls

                you are the first footprints in the sand
                on bankholiday morning

                you are the suitcase full of limbs
                waiting in a leftluggage office
                to be collected like an orphan

                you are a derelict canal
                where the tincans whistle no tunes

                you are the bleakness of winter before the cuckoo
                catching its feathers on a thornbush
                heralding spring

                you are the stillness of Van Gogh
                before he painted the yellow vortex of his last sun

                you are the still grandeur of the Lusitania
                before she tripped over the torpedo
                and laid a world war of american dead
                at the foot of the blarneystone

                you are the distance
                between Hiroshima and Calvary
                measured in mother’s kisses

                you are the distance
                between the accident and the telephone box
                measured in heartbeats

                you are the distance
                between power and politicians
                measured in half-masts

                you are the distance
                between advertising and neuroses
                measured in phallic symbols

                you are the distance
                between you and me
                measured in tears

                you are the moment
                before the noose clenched its fist
                and the innocent man cried: treason

                you are the moment
                before the warbooks in the public library
                turned into frogs and croaked khaki obscenities

                you are the moment
                before the buildings turned into flesh
                and windows closed their eyes

                you are the moment
                before the railwaystations burst into tears
                and the bookstalls picked their noses

                you are the moment
                before the buspeople turned into teeth
                and chewed the inspector
                for no other reason than he was doing his duty

                you are the moment
                before the flowers turned into plastic and melted
                in the heat of the burning cities

                you are the moment
                before the blindman puts on his dark glasses

                you are the moment
                before the subconscious begged to be left in peace

                you are the moment
                before the world was made flesh

                you are the moment
                before the clouds became locomotives
                and hurtled headlong into the sun

                you are the moment
                before the spotlight moving across the darkened stage
                like a crab finds the singer

                you are the moment
                before the seed nestles in the womb

                you are the moment
                before the clocks had nervous breakdowns
                and refused to keep pace with man’s madness

                you are the moment
                before the cattle were herded together like men

                you are the moment
                before God forgot His lines

                you are the moment of pride
                before the fiftieth bead

                you are the moment
                before the poem passed peacefully away at dawn
                like a monarch

 

from The Mersey Sound, 1967
when I first read this poem in 1978 I was too young to let go associations enough to get the metaphor; after a lifetime of being obligated to associations which stood idly by while I wildly floundered without ground, I can let them go with glee and relish and relish the metaphors to the portrait’s content (… still not sure about the ‘lost day of the child murderer’, however, and I’m still not sure why I’m not sure, but I’m not; but I can’t think McGough just slipped up over one couplet … (and I can’t find any discussion of this line in the pages-that-proliferate-like-spores-wafted-across-their-own-private-amphitheatres))

 

 

^{————w}(O)rmholes_________________________________|—–

books & love wormhole: `whappn’d!
buildings wormhole: cowled
city & windows wormhole: moon- // washed
clouds & green & silence & time & wind wormhole: Lapping Reflections [Deep Within Waters] – old George
curtains wormhole: ‘the Bat-Signal …’
dawn wormhole: between
death wormhole: beguiled / desire
eyes wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
feet wormhole: ‘oh my girls and muse …’
glasses wormhole: … the underleaves show
hands & water & world wormhole: A Solitude by Denise Levertov
leaves wormhole: sufficiently away
library wormhole: two profiles
mirror wormhole: DANSE RUSSE by William Carlos Williams
morning wormhole: TO A SOLITARY DISCIPLE by William Carlos Williams
mother wormhole: granny
power wormhole: I
Spring & sun wormhole: SPRING STRAINS by William Carlos Williams
trees & voices & yellow wormhole: TREES by William Carlos Williams
walls wormhole: both modern and en-slaved / to life
war wormhole: to arms, then;
waves wormhole: Khandro Tsering Chodron
winter wormhole: where did the silence go

 

I

Tags

2017, 6*, black, blue, Bodhisattvacharyavatara, city, doing, duality, eyes, following, identity, ignorance, opaque, orange, outside, power, sky, walls, white

                their eyes flashed orange
                and opaque – power of all things to try;

                along the high white walls
                outside of the city

                under the deep blue sky turning black, I
                followed them

 

flashed both from and within – Bodhisattvacaryavatara VIII, 9

 

 

 

^{————w}(O)rmholes_________________________________|—–

black & walls wormhole: … the underleaves show
blue & white wormhole: mauve
city wormhole: between
doing wormhole: the balance necessary between
eyes wormhole: ‘oh my girls and muse …’
identity wormhole: letting them go
orange wormhole: polystyrene / boulderscape
power wormhole: Batgirl –
sky wormhole: abandoned sound mirrors