11/1 by William Carlos Williams

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'scape, 1928, 8*, being, billboard, blue, faces, giant, lamp, moon, night, poetry, red, running, sky, speech, stars, weeds, William Carlos Williams, writing

poetry should strive for nothing else, this vividness alone, per se, for itself. The realization of this has its own internal fire that is “like” nothing. Therefore the bastardy of the smile. That thing, the vividness which is poetry by itself, makes the poem. There is no need to explain or compare. Make it and it is a poem. This is modern, not the saga. There are no sagas–only trees now, animals, engines: There’s that.

11/1     I won’t have to powder my nose tonight `cause Billie’s gonna take me home in his car–

                The moon, the dried weeds
                and the Pleiades–

                Seven feet tall
                the dark, dried weedstalks
                make a part of the night
                a red lace
                on the blue milky sky

                Write–
                by a small lamp

                the Pleiades are almost
                nameless
                and the moon is tilted
                and halfgone

                And in runningpants and
                with ecstatic, aesthetic faces
                on the illumined
                signboard are leaping
                over printed hurdles and
                “¼ of their energy comes from bread”

                two
                gigantic highschool boys
                ten feet tall

 

the billboard credo of William Carlos Williams from The Descent of Winter, 1928 by William Carlos Williams, luminary to my early wonder

 

 

^{————w}(O)rmholes_________________________________|—–

being & night wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
blue wormhole: in turgid reflection
faces & red & stars wormhole: Lapping Reflections [Deep Within Waters] – I took my camera into the fields
moon wormhole: Impression of Winter: Carriage on a Country Road, 1872
poetry & writing wormhole: writening
sky wormhole: Great Bridge, Rouen, 1896
speech wormhole: Pont Neuf, Paris, 1902
William Carlos Williams wormhole: 10/30 by William Carlos Williams

 

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Sujātā

Tags

2019, 8*, Arya Lalitavistara, asking, branches, Buddha, flow, milk, need, offering, passing, place, rice, river, sitting, Sujata, time, wisdom

                Sujātā

                the Nairañjanā flows,
                it always flows, Sujātā
                knows the flows, she had passed there

                every day, she passed
                the Bodhisattva parched
                as a blackened tree-stump,

                and every day saw only
                the low low reach of
                the tree wide and high

                waiting for the One
                to sit under, axial
                to the universe

                and before it was even
                apparent and the need
                had yet to ask she

                had creamed the
                sweetest milk with
                bursting grains of rice

                and offered it by the
                ever-flowing river, all
                absent of design and

                plot, but ineluctable
                in both place and
                process; so few found so wise

 

from the Arya Lalita Vistara Nama Mahayana Sutra:

                “The village girl Sujātā, who has done much good in the past,
                  Continuously makes offerings, thinking: “May this guide complete his discipline!”                
                  When she hears the request of the gods, she brings milk porridge with honey;
                  She goes to the river and happily sits on the banks of the Nairañjanā.”

 

 

^{————w}(O)rmholes_________________________________|—–

branches & river wormhole: Pont Neuf, Paris, 1902
Buddha wormhole: in deed
flow wormhole: transferring
passing & sitting wormhole: Landscape, Pontoise, 1875
time wormhole: Cours La Reine, Rouen, 1890

 

in deed

Tags

2019, 8*, Arya Lalitavistara, austerity, being, birth, black, Buddha, children, consumerism, death, doing, ears, fear, grin, hate, identity, infrastructure, investment, karma, letting go, lifetimes, love, mother, nirmanakaya, nose, samadhi, shame, skeleton, society, son, thought, war, womb, world

                                I

                gave birth to you, I
                held you deep within my very womb,
                the very kernel of all the labour of all my life’s beings and I

                gave you up to being
                with all the love of whole investment
                placed in care of self in state, you cannot,

                                just
                                die

                                __O—

                … she addressed her son

                who sat unmoved
                to the whole world’s reach
                that only his bones leaned together
                dry and upright

                who sat unconsumed
                to the whole world’s glut
                that to feel his stomach
                was to grasp his spine

                who sat unloved
                to the whole world’s reflection that
                children poked grass in his ear ‘till it
                came out his nose

                who sat unknown
                to the whole world’s shame
                that he was dust-black as a
                tree stump hideously grinning

                                __O—

                and know, mother, I do not die;
                I embroiled with the world to show
                the terrible wake of uncoupling
                her greasy mechinations,

                                in deed

 

honnnnnnnned like the string from a lute, not too tight not too loose, from chapter 17 of the Arya Lalitavistara Sutra in which the Prince’s mother (who had died and gone to heaven) came to see her son after he had been practising austerities for six years and was on the point of dying; she feared he was taking his quest to extremes, but he calmly told her that (the point of the whole Sutra being called ‘Lalita’, a ‘play’) that he had to show, in human form, what the two extremes of living in life were, in order to then show the way between to two extremes to liberation

 

 

^{————w}(O)rmholes_________________________________|—–

being & war wormhole: A Corner of the Garden at the Hermitage, 1877
black wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
Buddha wormhole: the old man;
death wormhole: Puerto del Carmen
doing wormhole: Entry to the Village of Voisins, Yvelines, 1872
identity wormhole: threshold to behold
letting go wormhole: the reach turned to love
lifetimes wormhole: Landscape, Pontoise, 1875
love wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
mother wormhole: What You Are by Roger McGough
society & thought wormhole: my uncomfortable life
war wormhole: on facing the Have

 

threshold to behold

Tags

1967, 2019, 8*, abandonment, alcove, being, birds, blue, books, breeze, Dad, Eglinton Hill, evening, garden, head, identity, life, meaning, openness, place, purpose, room, shoulders, skirting board, sky, son, sound, standing, text, time, trees, Victorian houses, weight, windows

                                  threshold to behold

                having persistently interrogated every alcove
                and skirting and sash-window of every room
                he could possibly have been in

                for any lead to any whereabouts, to even a
                chalk-outline, of how to be (beyond the breath
                of standing next to him in the breezy garden) –

                they were so well-moulded, fitted at perfect
                right angle, pulleys holding the weight just right
                to open, surely they would know – nothing,

                (or were they just too arcane to decode),
                the son stood before the bookshelves – how
                was it, now – legs not really astride but anyhow,

                (dangling, even), but head and shoulders alert,
                scanning the spines, weighing what each had
                to offer to respective places and times in the

                whole of a life, ah, this is the one – plucked –
                from the top of the spine, reached down; felt
                their weight, now, opened boarded covers

                (sound of crease), open at random (must of
                decades), what does the text say when
                eavesdropped unaware, has it sense, could I inhabit

                that sense enough to see what to do, to breathe
                what to be – birds take flight into the turning deep blue
                above evening trees

 

my father left his family on my eighth birthday; I’m sure he didn’t plan in that way, but that’s the day he happened to come home late again and confess that he’d been seeing someone else – I played with my new cars behind the sofa and listened to him leave, I didn’t look up so much as stare at the shape of the room as if noticing for the first time in the Victorian house on the hill where we lived; ‘I searched for form and land, for years and years I roamed’ (a no-prize to anyone who can name where these lyrics come from) looking for the direction I needed to be ‘the man of the house, now’ as someone said to me at the time; it’s only now I have retired that I realise there is no direction to go and that there is no man about the house other than saying makes it so; I still don’t look up, but am more and more sure that I don’t have to, now; still, all that browsing, plucking and hoarding over the years …

 

 

^{————w}(O)rmholes_________________________________|—–

abandonment & Dad & life wormhole: my uncomfortable life
being wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
birds wormhole: prose piece 2 from POEMS 1927 by William Carlos Williams
blue & trees wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
books wormhole: ‘… and yet I think I am so modest: …’
breeze wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
Eglinton Hill wormhole: Plumstead – Woolwich – Plumstead 220211
evening & time & windows wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
garden wormhole: Landscape, Pontoise, 1875
identity wormhole: so, how long is, a piece of string?
meaning wormhole: the old man;
openness wormhole: the mantra of Maitreya
sky wormhole: Staffa Fingal’s Cave, 1832
sound wormhole: 10/28 ‘On hot days …’ by William Carlos Williams
Victorian houses wormhole: Hastings: neither all or nothing

 

the old man;

Tags

2019, 8*, bougainvillea, Buddha, hope, life, lute, meaning, ochre, old age, open, pink, politics, power, purpose, renunciation, samsara, society, the Four Signs, time, walking, wind, windows

                the old man;

                by the open window –
                air of civic celebration

                flowering deep pink
                bougainvillea on ochre

                wind, but despite
                all iron machination

                the Prince of all
                that hope could keep

                had seen that Make
                held long-together only

                with foresworn and
                decrepit elapse

                that bent walking
                could behold;

                and the borough might hold
                but there were

                further portents
                on the way and a

                fourth that
                warranted all wasteland –

                when the lute-string
                snapped

 

An old man was the first of the Four Signs that tipped the Prince to thinking that there was more to life than privileged indulgence – there was a seriousness in life to consider which his father had designed to keep from him; when the Prince had been born, there was a prophecy that he would either become a great king enjoying power and influence far beyond, even, what his father had achieved, or that he would leave home and become a seeker of deeper purpose and meaning in life, but the father could not keep all of life’s questions at bay for the rest of the Prince’s life … the other Signs were: illness, death and worldly renunciation; this encounter fore-shadowed the Prince leaving his home to search for that deeper meaning and purpose

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: birth in the world
life & time & walking wormhole: Puerto del Carmen
meaning wormhole: to let be
ochre wormhole: every step I take
open & windows wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
pink wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
politics wormhole: how to teach
power & society wormhole: Rain, Steam and Speed – the / Great Western Railway, 1844
renunciation wormhole: and … // … sound
samsara wormhole: Batman: Oddysey
wind wormhole: {reading right to left}

 

so, how long is, a piece of string?

Tags

2018, 8*, anger, being, Bodhisattvacharyavatara, cause and effect, change, conditioned existence, doing, echo, enemy, event, existence, ghosts, identity, interaction, karma, knot, mind, others, practice, pre-existence, samsara, self-grasping, speech, talking to myself, tangle, thought, uncaused, untangling, web

                so, how long is a piece of string?

                always somehow, and ever somewhere,
                in a thousand different ways and
                a thousand different times, I set myself up,

                I set my self up
                to be the clever one, to be right in the end, and inevitably,
                like a thousand different echoes,

                someone comes and stands
                right in my way, or kneels in a ball behind me while someone else
                shoves me backwards

                so that I fall like a prat, and then someone else points
                and says ‘ha; ha’ in a thousand different ways; where
                do they all come from,

                do they just shimmer out of nowhere
                like ghosts just to frustrate me –whooo!–
                do they come out of nature,

                naturally unjust, naturally evil; are they just there
                existing from their own side, like a sharp bend in a long stretch of road
                {oh, come on,

                 no, they’d have to pre-exist in order to
                 come into existence, which would involve
                 a change in something which cannot change

                 because it is pre-existent, and therefore
                 causeless, so that it would have to stop being what it is
                 in order to be what it isn’t,

                 you know that, don’t you}; no, everything
                is conditioned, yes, and nothing stands
                independent by itself, so everything

                I have ever done or said or thought
                has been conditioned already, ok, but also,
                everything I have ever done or said

                or thought has also set up a
                whole web of further conditions
                which have had, or are nail-tapping waiting to have,

                an impact on other events
                and people; and yes, that’s ‘me’ in the corner …:
                the endless twists and turns I have made,

                and still making with every move and word and thought,
                which bind me in, tightly or loosely,
                to everything with which I interact –

                completely and utterly tangled:
                I hope I acted cleanly and carefully,
                but I’m afraid I didn’t – I’m … going to have to face my

                whole knot – a universally big ball,
                so much bigger than l’il ole me
                that it doesn’t seem to have much to do with me, but it does,
                it, all, does;

                and I’d better stop pulling and tugging away at it
                to get my own way and
                start untangling, and start untangling …

…I had a tangle of garden-wire to sort today; it had been wound round a dispenser but some of it had crossed over, become entangled, yanked, and a whole middle section had come away; then it had been worked on, to untangle it, but impatiently, and without thought, and so whole rolls of it had become furled over and through themselves, some bits were knotted, some bits were hanging out in great loops; being garden-wire, it kinked where it had been bent which also caught other strands as they came close to them in their tangle; and it had been cut for a quick solution, and so I had more than two ends that I could make any sense of; it took time untangling it, it took willing to give up on some progress I had already made on seeing that I’d started too far in, or too peripherally; it meant keeping hold of the thread I was starting with and turning the whole tangle around it, rather than working through the tangle, knowing that I was making problems for myself further down the line but I couldn’t worry about that yet; it meant having to abandon my initial thread sometimes to concentrate on further-on loops before I could return to it released; it meant I had to think ahead a bit to loosen the tangle in all the ways that it would, even if it meant unravelling the newly-wound initial thread I’d already sorted, a little; I had to take a rest every once in a while because I was concentrating too tightly …

                no, these enemies they’ve
                been ‘here’ all along, right in the
                back of my head, long forgotten,

                but from the time I crossed them
                in a thousand different ways
                and a thousand different times,

                they’ve been waiting, relentlessly,
                for a body and a circumstance to come together
                to respond:

                “there you go, mate, I owed you that”
                and inexorably I’d been setting myself up with just the right conditions
                to receive it

 

Bodhisattvacharyavatara chapter VI, verse 47: Impelled by my actions – [drawn out by circumstance, incited by the heat of the moment, prompted by hearsay, provoked by trigger, instigated by design, mobilised by obligation, shoved by control, summoned by role] – those who cross or hurt me, those who do me wrong just appear, right in my way and do what they have to do. And because of their actions, they will end up fallen and consigned to the infernal realms … surely, isn’t it actually me who have destroyed and damned them, haven’t I just been the mirror to magnify back to them their harm?

and, yes, that is a reference to the REM song, losing … something

 

 

^{————w}(O)rmholes_________________________________|—–

being & mind wormhole: …zzh-vvttP*–… … …
change wormhole: on facing the Have
doing & speech wormhole: ‘ouch’
echo wormhole: St. Erasmus in Bishop Islip’s Chapels, 1796
ghosts wormhole: what wounds have you got?
identity & others wormhole: there will be ovations
practice wormhole: ‘there, …’
samsara wormhole: glamour of saṃsāra
talking to myself wormhole: SPRING AND ALL VI by William Carlos Williams
thought wormhole: horizon

 

the mantra of Maitreya

Tags

2018, 8*, acceptance, anger, attachment, Bodhisattvacharyavatara, delusion, emptiness, falling, fire, flower, ground, life, love, Maitreya, mantra, openness, others, peace, sentient beings, suffering

                                                                the mantra of Maitreya

                                oh my loves,

                wriggling on the very thorns you couldn’t live without
                struck by the match over the gasoline you just poured
                falling like a stone through the emptiness you cannot evade

                you wave your arms at me
                you entice me in your dancing embrace
                you collide with me completely oblivious

                let me place the flower in the barrel of the gun
                let me accept-wide your disfigurement, your awkwardness
                let me be the ground, flat as the palm of a hand

                                open
                                open
                                open

                                SOHA

 

Maitreya will be the next being to manifest as a Buddha in this world after the teachings of the current Buddha have been lost; the mantra is actually OM MAITRI MAITRI MAHA MAITRI ARYA MAITRI SOHA; insofar as it can be translated it reads ‘OM love, love, great love, sublime love SOHA’, where ‘OM’ is ‘regarding everything from the most-bottom line’ and ‘SOHA’ is ‘let it be so, as it already is’; the poem flowered quite petally from Bodhisattvacharyavatara, chapter VI, verses 37-38: [37] And like this, when they are so bewildered under the spell and influence of the kleśas, they will even destroy and, finally, take their own treasured life, then, how might it be hoped they would hold themselves back from harming or killing the bodies of others? [38] Even if I have lost, or cannot develop, compassion for these beings intoxicated and driven mad by their kleśas, who are engaged within their own self-destruction – lost in their own perdition, chained within their own fall – and who are, even now, committed to my destruction, then, how could I develop anger towards them? The least I could do would be to restrain from anger.

 

 

^{————w}(O)rmholes_________________________________|—–

acceptance wormhole: DANSE RUSSE by William Carlos Williams
emptiness wormhole: sun setting over a lake, 1840
life wormhole: it’s / not what you do or what you say / if it ain’t got that swing
love wormhole: the reach turned to love
Maitreya wormhole: birth in the world
openness wormhole: transferring
others wormhole: glamour of saṃsāra

 

and … // … sound

Tags

2019, 8*, allegory, Arya Lalitavistara, Buddha, conceit, hierarchy, hope, horizon, humanity, identity, ignorance, kleshas, lies, love, music, parents, renunciation, role, royalty, society, sound, teaching, time

                                and …

                … there, where humans
                have found themselves
                in ever-corporate cluster

                evolving mass of breadth
                and hope in horizon; see,
                they conceive their self

                in immaculate conception:
                pyramidically instilled
                and royal to behold;

                it is their that I will
                be, allegorical to there
                conceit, I shall higher their boat

                to get to the other
                shore, I will honour their
                parents, I will love

                their fulsome lies, but
                the time will come
                that I shall cede the role

                and break their fragile Is
                when the boxes with
                broken strings nonetheless …

                                … sound

 

inspired both from, and within, the ‘Arya Lalita Vistara Nama Mahayana Sutra‘, which is the life-story of the Buddha, the title of which is beautiful: ‘Arya‘ meaning ‘higher, exalted’ as in connected to reality; ‘Lalita‘ meaning ‘play, game, role’, that everything is not just as it seems … an allegory, although coupled with ‘Arya’ it is an allegory that doesn’t merely ‘point to’ a deeper/higher meaning, it comes from and dwells within that meaning … playfully, poetically, suggestively, also suggesting how the scripture is to be read; ‘Vistara‘ meaning any and all of ‘breadth, dimension, elaboration, enlargement, expansion, extension, spread, width’ – the ‘exponetialising’ means of coupling the ‘Arya’ with the ‘Lalita’ parts; ‘Nama‘, meaning ‘named, called’; ‘Mahayana‘ the spiritual way and means of exponentialising; ‘Sutra‘ a ‘discourse’ or ‘means’ given by the Buddha, yes this is an autobiography, but so much more if read with eyes wide open; there are several allusions to musical instruments that ‘sound’ (and sometimes ‘speak’) when not played, or when broken; ‘their’ and ‘there’ in the 4th stanza poem are sic and are meant to be questioning both identity and place in samsara

 

 

^{————w}(O)rmholes_________________________________|—–

Buddha wormhole: with all love released
horizon wormhole: The Diligence at Louveciennes, 1870
identity & society wormhole: Fishermen at Sea, 1796
love wormhole: sun setting over a lake, 1840
music wormhole: on facing the Have
sound wormhole: YOUNG SYCAMORE by William Carlos Williams
teaching wormhole: between
time wormhole: ‘there, …’

 

‘… and yet I think I am so modest: …’

Tags

2018, 8*, achievement, anger, ants, arrogance, beauty, Big Issue, Bodhisattvacharyavatara, books, buying, Carol, cat, cause and effect, chrome, comics, conception, conditioned existence, dark, doing, evening, eyes, giving, glass, Hulk, human, identity, insight, isolation, kids, life, lightning, marbles, mind, modesty, night, offering, patience, perfect human rebirth, quality, shrine, standing, strangers, talking to myself, teaching, teeth, time, tin, white

                … and yet I think I am so modest:
                      I think I have gathered such quality and beauty in life,

                      all the coloured glass and marbles I offer to the shrine,
                all the Big Issues I generously buy

                all the time given to Carol and the kids,
                      to abandoned strangers, all the vistas I gave at school,

                      all the insights from comics and books, I think I
                know what’s what; I stand colossal

                      on the paving slab, so much more and in so many ways
                than the ants that circle across it,

                so much more, even, than the cat
                      that comes and uselessly rubs about my legs, I stand

                      human to the height of all achievement; all of this
                I have already destroyed

                      a thousand times over in a thousand different ways
                with even the most slight

                      annoyance (and the thing is I am always annoyed), let alone
                the hulked, mindblanked and white-eyed

                teeth and howls; when this dent,
                      this sudden crease in what looks like flimsy tin (from

                this axe from some other side) that
                      holds the calm and flow of all the cause and conditionality,

                      everything bent sharp over a refusal, that creates me adverse
                and isolated; I won’t

                      become human again for so long I’ll need
                another, far-future,

                flash of lightning
                      in the darkest of darkest nights before I’ll

                ever get another chance
                      to even conceive what’s happening to me; let’s

                ease out all these creases, let’s
                      polish all that chrome, before evening comes again

 

Bodhisattvacharyavatara, Chapter VI, beginning verses

 

 

^{————w}(O)rmholes_________________________________|—–

beauty & books & identity wormhole: ‘a blacknight fitted perfectly …’
Carol wormhole: we held cold hands
cat wormhole: What You Are by Roger McGough
comics wormhole: letting them go
doing wormhole: the moon, the moon
evening & eyes & white wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
giving wormhole: both modern and en-slaved / to life
glass & life & mind & time wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
lightning wormhole: ‘… plane is upright …’
night wormhole: THE GREAT FIGURE by William Carlos Williams
talking to myself wormhole: blister on me thumb
teaching wormhole: how to teach

 

early // Minoan & Mycenaean Exhibitions in the British Museum – diptych

Tags

2018, 8*, action, being, black, body, British Museum, civilisation, clouds, column, concepts, crane, day, fields, gap, Germany, glass, Have, horizon, horse, Jamyang Khyentse Chokyi Lodro, jar, Jon, language, life, lintel, liquid, London, looking, message, mind, mist, morning, movement, passing, pediment, plane, reading, rooftops, settled, sitting, speech, stone, sun, sunlight, tertön, text, Tibet, time, train, travelling, Uckfield-London line, vertical, world

                                                early

                the sun
                blankets flat across the fields

                a glint
                wipes along the banking plane;

                the terton,
                settled and comfy in the deepest

                mind, enough
                to reach down a text in an

                unknown
                language and read it with ease;

                60 mph
                on the lines into town, one long

                finger of
                cloud between the sun and train

                ever not
                moving; he said he saw no need

                to burden
                the world with yet more babble

                from a
                conceptual mind; even now

                looking
                sharp forward through the glass

                approaching
                London there is a ripple in the

                glass makes
                the cranes on the rooftops

                twitch

 

                -\\O___~~                                                                ~~___O//-

 

Minoan & Mycenaean Exhibitions in the British Museum

                there was
                mass of body the length of recline

                the height
                of seat and stone bath the end

                of time,
                but the keep of store and brim

                of handle (the
                maximum bulb upon impossible base)

                were lithe
                of all action scratched into blackest

                liquid
                despite all the belts of mist between

                each day;
                and those lintels planted in weight

                upon the
                lip of each column and across all, the

                heavenly
                pediment; having was being,

                transcendent
                of bound, the message leapt from

                behind,
                across the impossible gusts of gap,

                the wrap
                of robe, loose and sun-dried to the

                crease of
                agitation, there, O beast with power

                standing
                over me, will you take me from

                here

 

early: my son was moving to Germany to live with his girlfriend, he was spending the last week or so with his parents before leaving; there was a sense that this was a Major Life Move both for him (and for us watching a child move to another country … even though he is 31 years old); he wanted to do a ‘final’ trip up to London and took his old man with him, we went up early – I watched the horizontal morning sun over the fields become vertical up London’s sandstone buildings; a “terton” is someone who has developed his or her mind to be subtle-enough to find and decode Buddhist teachings hidden by Guru Padmasambhava in places or in minds so that they will be ‘discovered’ in time when the conditions – and minds – are right: I had just finished the biography of Jamyang Khyentse Chokyi Lodro who was a renowned terton and teacher in Tibet who declined to publically reveal many of his found texts because, as he commented, he didn’t want to clutter up peoples’ minds with yet more babble from a “conceptual mind” (although seasoned ‘readers’ of life in Tibet at that time would have ‘understood’ this statement to mean that the prevailing karma of mind in Tibetan society at that time was not up to appreciating them – Jamyang Khyentse Chokyi Londro died in 1959, the year the Chinese seized control of Tibet and the religious infrastructure of Tibet was decimated); the Minoan & Mycenaean Exhibitions in the British Museum: we spent most of the time in the British Museum, Jon wanted to have a final look at the early Minoan and later Mycenaean Greek exhibitions … I haven’t fully worked out how these two pieces are joined as a diptych, but present them as such nevertheless

 

 

^{————w}(O)rmholes_________________________________|—–

being & looking wormhole: blister on me thumb
black wormhole: THE LONELY STREET by William Carlos Williams
clouds & travelling wormhole: space for probing thought
crane wormhole: that
glass wormhole: SPRING & LINES by William Carlos Williams
Have wormhole: you
horizon wormhole: we held cold hands
Jon wormhole: Mark & Jon at the coffee shop IV: right angles
life & sun wormhole: ‘… plane is upright …’
London & mind & speech & time wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
mist wormhole: BLUEFLAGS by William Carlos Williams
morning wormhole: The Boats of Vallisneria by Michael J. Redford – With Pigs
passing wormhole: THE GREAT FIGURE by William Carlos Williams
reading wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
rooftops wormhole: PASTORAL by William Carlos Williams
sitting wormhole: allowed all gain
stone wormhole: only
train wormhole: A Solitude by Denise Levertov
Uckfield-London line wormhole: mother and daughter
world wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey