Lapping Reflections [Deep Within Waters] – I took my camera into the fields

Tags

2019, 7*, birdsong, camera, clouds, corridor, dancing, drifting, elm, evening, faces, fields, focus, forest, gold, grey, hills, horizon, leaves, nebula, nightingale, photography, planet, purple, red, skeleton, sky, space, spire, stars, sun, thinking, trees, words

                                I took my camera into the fields

                but it was only after the
                purple-grey clouds drifted
                across the horizon and the

                wilted leaves had turned
                their face once more to the
                evening sky, when the sun

                broke low across the fields –
                old gold across the treetops –
                that I’d dansed macabre

                with the tripodial skeleton
                before the red hemisphere,
                reclined upon distant hills,

                extinguished like a farce
                and the populace of the
                heavens radiated above me

                and behind, the grates of
                all space between the two
                sentinel elms, it was there, I think,

                I left this planet
                at a tangent (glow of a
                lantern disappearing down the corridor)

                deep, until whole nebulae
                were within my pluck,
                but even before Antares

                had touched the nearby
                spire, the nightingale had
                been deep in construction

                of the following day’s forest façade,
                free free of all possible words and
                zoomed foci

 

read the collected work of ‘Lapping Reflections [Deep Within Waters]‘ as it is published: here
this is an appliquiary to: The Boats of Vallisneria by Michael J. Redford – Sky

 

 

^{————w}(O)rmholes_________________________________|—–

clouds & evening & gold & grey & hills & horizon & leaves & red & sky & space & stars & sun wormhole: The Boats of Vallisneria by Michael J. Redford – Sky
dancing wormhole: Pilot 125 … // … being excursion in the interludes
faces wormhole: on facing the Have
purple wormhole: SPRING AND ALL I by William Carlos Williams
thinking wormhole: writening
words wormhole: A Corner of the Garden at the Hermitage, 1877

 

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The Boats of Vallisneria by Michael J. Redford – Sky

Tags

1967, afternoon, air, beauty, being, birdsong, black, breathing, camera, candle, church, clouds, colour, comet, consciousness, corridor, countryside, dance, dawn, depth, earth, elm, emotion, evening, eyes, fields, fire, gaze, gold, grey, heat, hills, horizon, identity, jade, leaves, life, light, mauve, Michael J Redford, mind, night, orbit, painting, photography, planet, rain, red, silence, silhouette, sky, space, spire, stars, storm, sun, sunset, the Boats of Vallisneria, thunder, trees, turquoise, valley, west

Sky

One evening about two years ago, there was, in my part of the country, one of the most magnificent sunsets that I have ever been privileged to witness.   Being a keen photographer (although not a very good one, for other peoples’ photographs always seem better than mine), I took my camera into the fields to capture the scene in colour.   It all began when the grey broken clouds, the ‘left overs’ of a stormy day, drifted slowly across the horizon, taking with them the tumult of the heavens.   It had been a somewhat dismal day with an atmosphere that clung like a warm damp blanket, enveloping all with an oppressive heat that made even the unconscious act of breathing an effort.   The day thus sulked its way through the hours, stifling the energy of life and suffocating the songs of birds until at long last, at about three o’clock in the afternoon, the sky, no longer able to contain its pent up emotions, savaged the countryside with a violent storm.   In fact three storms had tumbled into the valley that afternoon that gave rise to a continuous end-of-the-world -like thunder that reverberated about us for an hour and a half.   Fearful though the storms were, the rain felt good, the soil quenched its thirst and the air became cool, and when the storm had flung its final volley of anger contemptuously at us, I saw that the wilted leaves had renewed vigour and had turned their faces once more to the sky.   Suddenly, the late evening sun broke loose and shone low across the fields, igniting the treetops with a blaze of old gold and adorning the scene with the tint of an old master’s painting. Screwing tripod to camera, I raised it to my eye and squinted through the view-finder.   For some moments I indulged in a danse macabre around the field with the tripodial skeleton stiff within my embrace, searching for the most artistic composition to enter the field of view.   By now the sun was an enormous dull-red hemisphere reclining upon the distant hills, infusing the undersides of the remaining clouds above with a heavy mauve the deepened perceptively as I gazed.   The solar chord became shorter and shorter until finally the perimeter of the disc was extinguished suddenly by the horizon as one snuffs out the flame of a candle.   Then, in a most abrupt and startling manner, the populace of the heavens turned to fire.   The clouds appeared to radiate from a point somewhere below the horizon in the vicinity of the sun and spread out above and behind me, plumbing the very depths of space itself.   It was as if Earth had entered the tail of a super comet that had passed close by on its elliptical orbit about the sun.   Hurriedly I set the tripod firmly on the ground and framed the sunset between the jet-black silhouettes of two sentinel elms.

After taking the photograph, I packed the equipment in its case, stood up and looked once more through the elms.   My gaze passed by the silent trees, through the sunset and beyond into space, leaving the great orb of this planet at a tangent.   The moment developed into one of those rare intervals in time when an overwhelming consciousness of the beauty about one descends and becalms the mind.   Although my gaze flew past the elms at incomprehensible speed, I was aware of their crisp outlines against the sky, and as it passed on through the sky into the depths of space, I could see the fire shrinking before me like the glow of a lantern disappearing down a long, dark corridor.   My eyes were now being lifted by a power exterior to my own being.   Up, up they went until I was craning my neck and gazing out into the zenith of space.   I had always been conscious of the great depths of space about me, but could not help regarding the heavens as anything but a dome viewed from a central point, the stars being spattered over the surface of this invisible hemisphere, all equidistant from me.   But on this particular occasion, I became aware of the three dimensionality of space, each planet, star and nebula standing out in such relief from each other, that I felt I could lift my hand and pluck them from their ethereal settings.   Immediately above my right shoulder the crooked W of Cassiopeia pierced the depths with startling clarity and midway between this and the great square of Pegasus, there glowed faintly the spiral nebula of Andromeda, so far flung into the void as to make the magnificent gold and blue binary system of Gamma Andromeda appear but ten steps distant.

Becoming dizzy from the depths above me I turned and cast my eyes down to the eastern horizon.   The Pleiades had just shown itself above the distant trees and was discernible only by averted vision, but its presence was sufficient to tell me that within the hour Aldebaran, the red eye of Taurus, would begin its journey above the horizon to dissolve overhead in the light of tomorrow’s dawn.   But even before Antares had touched the distant church spire in the darkening west, the night air became chill and with a shudder I headed for home.

Some days later when I had the film processed, I discovered much to my dismay, that I had become so involved with the scene before me that I had forgotten to remove the dust-cap from the lens, consequently I have no visual proof to offer my friends of the glory I have witnessed.   Often I am accused of exaggeration when describing a scene that has made an impression on me, yet I experience difficulty in finding adjectives of sufficient depth, colour or subtlety to use in such instances.   How can one convey to others the emotions that rise to greet the song of a nightingale, or to what depths the heart yearns to fly with the swift and embrace all three dimensions.   How can one possibly convey through the medium of the written or spoken word the sight of an evening sky washed with the faint mauve streaks that herald a sunset, or describe the background tint of the sky that is somewhere between a shade of jade and turquoise?

My attempts at describing this beautiful sunset to a friend met with very little response.   Emotion is a very personal thing and that which gives rise to emotion in one, may leave another completely cold.   Even so, I was completely taken aback when my friend said, “what sunset?”

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon & grey & rain & red & sky wormhole: Pont Neuf, Paris, 1902
air & silence & trees wormhole: 10/30 by William Carlos Williams
beauty wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
being & black wormhole: in deed
breathing wormhole: there will be ovations
church & silhouette wormhole: Vue de Pontoise, 1873
clouds wormhole: Cote des Bœufs à l’Hermitage, Pontoise, 1877
dawn & storm wormhole: birth in the world
evening & life wormhole: threshold to behold
eyes wormhole: mandala offering
gold wormhole: Entry to the Village of Voisins, Yvelines, 1872
hills wormhole: Puerto del Carmen
horizon & sunset wormhole: in turgid reflection
identity wormhole: quietly in my quiet house
leaves wormhole: 10/28 ‘in this strong light …’ by William Carlos Williams
light & sun wormhole: Cours La Reine, Rouen, 1890
mauve wormhole: travelling / back
mind wormhole: so, how long is, a piece of string?
night wormhole: Boulevarde Montmartre, Evening Sun, 1879 // Boulevarde Montmartre at Night, 1879
space wormhole: the reach turned to love
stars wormhole: TREES by William Carlos Williams
valley wormhole: coterminalism – there is nothing happens by itself, / 070118

 

Puerto del Carmen

Tags

2019, 6*, balcony, birth, boats, branches, buildings, canopy, death, distance, east, evening, glass, green, harbour, hills, horizon, hovering, impressionism, Lanzarote, life, midday, mist, morning, people, promenade, sea, streetlamp, sunset, time, trees, trunk, walking, water, west

                Puerto del Carmen

                to the east
                in the morning

                the promenade
                ended out at the

                harbour wall beacon,
                occasional impressions

                of couples made
                their way under

                irregular lamps on
                their rusting stems with

                fragile glass bulbs;
                one boat anchored

                out at sea, seemed
                closer than it was

                because the
                horizon is always indistinct;

                then, here at midday, the
                single spindle tree holds

                a canopy intricate
                of branches and peppered-green

                writhe-angled
                to the trunk through which

                storeys and balconies
                can clearly be read;

                in the evening to the
                west, the further

                hills all will hover
                for all the distance

                that bolts of mists will allow
                and for all the show of

                lowing sun will preview
                blind across the water

                                straight
                                at
                                me

 

Puerto del Carmen, a stretch, in distance, along the southern coast of Lanzarote, an elongation of time when one is there …

 

 

^{————w}(O)rmholes_________________________________|—–

branches wormhole: YOUNG SYCAMORE by William Carlos Williams
buildings wormhole: intent
death wormhole: Entry to the Village of Voisins, Yvelines, 1872
evening & morning & people wormhole: Vue de Pontoise, 1873
glass & green & sea wormhole: The Atlantic City Convention: 1. THE WAITRESS by William Carlos Williams
hills wormhole: sun setting over a lake, 1840
horizon & life & trees wormhole: Landscape, Pontoise, 1875
mist wormhole: Batman: Oddysey
promenade wormhole: waiting to be heard
time wormhole: I
water wormhole: Fishermen at Sea, 1796

 

sun setting over a lake, 1840

Tags

1840, 2018, 6*, clothes, emptiness, groundlessness, hills, lake, love, no-boundary, now, possibility, shore, space, speech, standing, sunset, timelessness, water, William Turner

                                                quick
                let us stand close as our wadded
                       clothing

                                               will allow,
                the watery expanse will dissimulate all
                       possibility

                                                of shore
                at the precise moment that the sun
                       perches

                                               lastly
                over hills before the wider gulf
                       of ever

 

Sun Setting over a Lake, William Turner, 1840

 

 

^{————w}(O)rmholes_________________________________|—–

emptiness & space wormhole: The Passage of the St. Gothard, 1804
groundlessness wormhole: with all love released
love wormhole: only
speech wormhole: SPRING AND ALL VI by William Carlos Williams
sunset wormhole: we held cold hands
water wormhole: on facing the Have

 

on facing the Have

Tags

2018, 7*, being, block, blue, bone, cause and effect, change, choice, clothes, clouds, Darwin, death, depth, discipline, doing, dream, drifting, economics, emerald, extermination, faces, government, green, grey, hats, Have, head, hills, hinge, humanity, identity, iron, kiss, life, loss, making, mud, music, neck, peacock, photography, power, quotidian, river, roof, settlement, shadow, Shrewsbury, slow, society, statue, stone, streets, tectonic plates, time, trees, violence, walls, war, watching, water, woman, World War, writing

                bone to stone drifting
                catastrophic slow

                lee to face-ward drifting
                shadow to quotidian

                suggesting life
                only when settled

                under branch of roof;
                noticeable change

                comes at the price
                of sheild and pike:

                death-mask disciplined
                to the painted face

                open to the very depth
                of loss, later settled

                to economies of
                plea, barter and

                proliferation of fact
                artisaned superfluous

                to being – faces fixed
                in leer the rest of

                born days, where
                animals are skinned

                under abnegated face,
                where stone walls

                turn green, staining
                clothing and where the

                emerald poise of head
                and neck watches

                the peck of open flay, all
                “exterminated by

                 slow acting and still
                 existing causes …”

                … time begins
                to tick – well it had to

                start somewhere – and
                with time cometh writing

                and with writing the
                topography fades from

                hill-wide face to
                pock-mark street and settlement

                all fitted ingeniously
                with raised wall over arch,

                high to unresolved descant
                always left in minor;

                the woman bends
                to the laundry before

                the rush of water
                released from the mill:

                power is only explicit
                when blocked and

                channelled, tree to
                gable with date

                and signature, silk
                to valence with

                drape of repose and spreading peacock dream;
                so, is there choice

                of governance: cut
                through from neck to child;

                you stay unnatural-still
                your image will be caught,

                you turn, and your
                head will disappear,

                you climb the wall
                and stand still, you

                stay in the mud yard
                and stand still, … only

                hats stay constant, cast-
                iron flanges reach

                from cast-circular
                hinges, woven to corset,

                slave to youth; the
                memorial stone,

                painfully-carved,
                reflects the blue

                of grey cloud, under
                posts of wire

                the death-etched
                face stoops to kiss

                the face of
                wholly mud

 

291218 – spent the afternoon at the Shrewsbury Museum and Art Gallery to tread time from immemorial to the First World War; the quote is from “Thinking Path” by Shirley Chubb (2004), an exhibition that explores the life and legacy of Charles Darwin, an artwork and series of installations inspired by Darwin’s daily ritual of walking the same path at Down House; “Shadow Stories”, an animated short film by Samantha Moore is not directly referenced but weaves about the whole perambulation; references include the Roman conquest, medieval, Civil War, and industrial exhibits, up to the Open Art Exhibition commemorating the 100th anniversary of the First World War

 

 

^{————w}(O)rmholes_________________________________|—–

being & clouds & doing & identity & power wormhole: The Passage of the St. Gothard, 1804
blue & woman wormhole: SPRING AND ALL XI by William Carlos Williams
change & streets wormhole: to let be
death wormhole: What You Are by Roger McGough
dream wormhole: THURSDAY by William Carlos Williams
economics & society & walls & war wormhole: The Boats of Vallisneria by Michael J. Redford – Trees
faces wormhole: The Boats of Vallisneria by Michael J. Redford – With Cows
green & shadow & trees & writing wormhole: Lapping Reflections [Deep Within Waters] – pageant of the trees
grey & time wormhole: La Route de Louveciennes, 1870
Have wormhole: SPRING AND ALL VI by William Carlos Williams
life wormhole: ‘… and yet I think I am so modest: …’
music wormhole: JANUARY by William Carlos Williams
river wormhole: quiet river
roof wormhole: breakfast
stone wormhole: early // Minoan & Mycenaean Exhibitions in the British Museum – diptych
water wormhole: SPRING AND ALL I by William Carlos Williams

 

coterminalism – there is nothing happens by itself, / 070118

Tags

2018, 7*, being, blackberry, blue, Bodhisattvacharyavatara, bougainvillea, bread, breakfast, clouds, cooking, creation, hills, holiday, jam, Lanzarote, life, lunch, olive, rain, roundabout, sand, sky, study, table, valley, vegetables, villas, walking, wind

                coterminalism – there is nothing happens by itself,
                070118

                when blackberry jam is on the bread for breakfast
                there will be bougainvillea on the roundabout by lunch

                when the walk uphill is steep enough and windy
                the rainfall advances, but stays in the valley

                so that when walking through villas between showers
                there are always sand-blue clouds under deepening olive sky

                when you cook or prepare the vegetables right
                the paella is right the oval dish long

                when creation and study and life happen around the same table, there is                      
                being

 

Bodhisattvacharyavatara VI, 31 – everything is governed by other factors and nothing governs itself; anything which seems to stand out from this as independent is illusory [and usually desparate in some sort of way]

 

 

^{————w}(O)rmholes_________________________________|—–

being & sky wormhole: THURSDAY by William Carlos Williams
blue & life & walking wormhole: Lapping Reflections [Deep Within Waters] – both fawn and grey
clouds & holiday wormhole: we held cold hands
hills wormhole: that
olive wormhole: mauve
rain & valley wormhole: Lapping Reflections [Deep Within Waters] – reaping
study wormhole: glancing up from the text / searching for ground …
table wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
wind wormhole: JANUARY by William Carlos Williams

 

that

Tags

2018, 5*, border, clouds, crane, hills, island, Lanzarote, mist, silhouette, silver, sunset, world

                                that

                                now,

                that finger of low cloud catching
                its silver border from the set sun hangs

                further before and further aft
                than the construction crane,

                                still

                and holding nothing, standing, perhaps
                it holds up the hills and islands

                behind which it reaches – misty
                girt the silhouette – but the world

                turns and the crane is now
                foreshortened

 

 

 

^{————w}(O)rmholes_________________________________|—–

clouds wormhole: ‘the Bat-Signal …’
crane wormhole: Plumstead – Woolwich – Plumstead 220211
hills & silver wormhole: fifty-eight // and silent prayers
mist wormhole: DANSE RUSSE by William Carlos Williams
silhouette wormhole: between
sunset wormhole: I don’t need to go out / onto the balcony to see behind me / to know what’s going on
world wormhole: thought

 

fifty-eight // and silent prayers

Tags

1979, 2017, 6*, age, birthday, blue, Castleton, clouds, cross-section, direction, gold, green, hair, heartbeat, hills, identity, knees, landscape, lifetimes, metal, neck, prayer, ripple, road, shirt, silence, silver, step, sun, time, travelling, walking, wandering

                                fifty-eight times now

                wandering dopey through another landscape

                                (walking) up into the hills
                                to find the golden sun –
                                sheet-metal through
                                flanks of cloud

                                the snaking A-road
                                sunk and cascaded
                                in 1979, petrified cross-
                                sections there to study

                                never travelling far
                                but up in giant gulp-steps
                                heart beats in the back
                                of the neck and down

                                through the knees
                                with the rising pass

                I stand now at fifty eight with clipped and

                                silvering hair with
                                check and green-blue
                                shirt and silent prayers
                                rippling to all directions

 

 

 

^{————w}(O)rmholes_________________________________|—–

birthday wormhole: Lapping Reflections [Deep Within Waters] – … as the new town marches in
blue wormhole: I
Cadtleton wormhole: walk from Castleton to Hope
clouds & hills wormhole: mauve
gold wormhole: so / do I keep on writing now I’ve retired, or … / Rumplestiltskin
green & walking wormhole: abandoned sound mirrors
hair & sun wormhole: ash leaves
identity wormhole: both modern and en-slaved / to life
lifetimes wormhole: oh, alright then
silence wormhole: where did the silence go
silver wormhole: Coleton Fishacre
time wormhole: sreet
travelling wormhole: breakfast

 

mauve

Tags

1973, 2017, 6*, birdsong, blue, buildings, clouds, dusk, gold, hills, horizon, left, lime, mauve, mist, olive, right, sidewalk, sky, Steely Dan, streets, sun, syncopation, white

                                mauve
                                {Your Gold Teeth}

                in 1973
                                waste bins jumped up
                                                syncopated
                                                                all down the sidewalk

                down the street apiece
                                the olive and mist
                                                second-floor horizon
                                                                looked left

                                                                before the hills
                                                sun going down
                                in a Prussian sky
                {West of Hollywood}

                                to the right to the left
                                the bird on the single

                                remaining post called
                                the last lime skeak

                                to white curds above
                                the darkening hills

 

 

 

^{————w}(O)rmholes_________________________________|—–

blue wormhole: Bridgnorth
buildings wormhole: between
clouds wormhole: all the low clouds keeping pace / through the train window, / always arriving, whether fast or / slow, but never actually moving
gold & sky wormhole: behind / glass walls and wan and hooded eye
hills & mauve wormhole: polystyrene / boulderscape
horizon wormhole: travelling // arrival
lime wormhole: turned backs of saddened victory
mist wormhole: is this it // all the time
olive wormhole: pine // gladioli // [&] wisteria
streets wormhole: coagulating
sun wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
white wormhole: sharpened apex

 

polystyrene / boulderscape

Tags

'scape, 2017, 5*, being, black, change, doing, emotion, green, hills, life, mauve, orange, purple, realisation, sky, Star Trek, transmission, violet

                                                polystyrene
                                boulderscape

                                                under orange skies
                                realisation
                is transmitted

                                                mauve to purple
                                he turns to face
                his life

                                                green and violet
                                over the black hills
                where officers try

                                                to control emotion,
                                nothing happens, and
                every thing changes

 

 

 

^{————w}(O)rmholes_________________________________|—–

being wormhole: and ‘naerrgh’ a mention of a seagull’s call
black & purple & sky wormhole: ‘when travelling astrally …’
change wormhole: with all love released
doing wormhole: ‘still …’
green wormhole: animus rises – powieview #37
hills wormhole: Lapping Reflections [Deep Within Waters] – reaping
life wormhole: tremule
mauve wormhole: Sheffield Park Gardens
orange wormhole: cinnamon / milkshake
realisation wormhole: next unexpected step