where did the silence go

Tags

2017, 6*, breathing, brick, Eastbourne, gables, passing, question, red, seagull, silence, sound, streetlight, the British Empire, time, traffic, trees, windows, winter

                where did the silence go
                along the rows of gables
                and chimes on the hour

                calls the seagull on the cornice
                to the seagull on the lamp post
                once, looking one way, twice,

                three times as the traffic
                feeds through the roundabout
                and winter trees branch

                and fibrillate before the
                turrets and windows of
                past red-brick Empire

 

 

 

^{————w}(O)rmholes_________________________________|—–

breathing wormhole: with all love released
Eastbourne & red & time wormhole: growth
passing wormhole: olive trees
seagull & sound & streetlight wormhole: and ‘naerrgh’ a mention of a seagull’s call
silence & trees wormhole: The Boats of Vallisneria by Michael J. Redford – Making Hay
windows wormhole: quiet river
winter wormhole: Lapping Reflections [Deep Within Waters] – snow

 

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The Boats of Vallisneria by Michael J. Redford – Making Hay

Tags

1967, blackbird, branches, breeze, chaffinches, clouds, cuckoo, echo, fields, grass, green, hay, June, land, lark, linnets, Michael J Redford, scythe, silence, smell, soil, sun, talking, the Boats of Vallisneria, thrushes, tits, trees, wagtail, weather, work

Making Hay

“You’ll have a nice cut o’ hay here,” said George.   The wizened little old man, long since retired from the land, stood beside me in the gateway of Garden Field.   He has come to remove the debris that had fallen from the trees to prevent damage to the mower.   Like most retired land-workers he is unable to keep the soil of the fields from his boots, and one can find him in every village throughout the British Isles hedging, ditching, clearing odd corners of scrub with scythe and sickle and caring for the vicar’s garden.   To these men, there is an attraction so binding to the land, that to continue working thereon has become essential to their very existence.   It seems they draw the very essence of life direct from the soil, just as the unborn infant draws its life direct from its mother, and if this contact, this life-line is broken, so also is his life.   One has merely to talk with these old men for an hour to sense their affinity with and philosophy of the land, and I am convinced that it would quite literally kill many of them if they were to be taken from it.   An acquaintance once questioned the economics of employing these old ‘jobbers’ and suggested that it was merely a charitable act that enables the old men to feel useful, and I thought of old George ambling around the perimeter of Garden Field picking up dead branches and stones.   In the first instance the old man had given me half an hour of time to attend to other more pressing matters.   Secondly, his action of clearing the land of obstructions was quite possibly instrumental in preventing a broken mower knife or con-rod, and when taking into account the precarious weather conditions under which hay is made in this country, any delay could mean the difference between a field of good hay and a field of bad or maybe even a complete loss, and with good hay sometimes fetching £15 per ton and more, this could result in a considerable saving.   So what price an old man’s labour?

There is a great satisfaction in using a clean cutting tool, be it a pen-knife or a scythe.   Now unfortunately, the less harmonious clatter of a power driven mower has long since dimmed the sweet song of a scythe and men in the hay meadows no longer sway to its rhythm.   Nevertheless, there manifests within me a great sense of well-being each time I see the graceful stems fall into neat swathes as the mower encircles the ever diminishing island of standing green.   The pollen lifts and the wagtail follows close behind feeding upon the moths and gnats that are started into flight upon a day sweet with a green aroma. Soon comes the last sweep of the mower in the centre of the field.   It is an act full of purpose and symbolism that makes me hesitate before felling those last few stems.   It is I think, that the finality of the last cut brings about a sense of completeness, a completeness that is magnified by the silence when the mower has ceased to clatter and the tractor engine is switched off, when the only sound to be heard is the song of a lark out of sight, high above the dust laden air.

The following day, when the June sun has lifted the dew from the fields, the grass can be shaken up to let in the drying breezes, and it is towards the end of a good drying day that the green harvest begins to ‘rustle’ and emanates that exhilarating aroma of ‘making’ hay.   There are many jobs to be done on the farm some of which are dull and monotonous, and I must confess to a tendency of leaving such tasks to the very last minute.   But hay-making is not one of these jobs.   Even at the end of a hot, dry day of turning, tedding and windrowing, I reap a great deal of pleasure from strolling alone between the dry, fluffy rows, inhaling the richness, listening to the linnets, tits and chaffinches close at hand, and the distant echo of the cuckoo in the woods.   Also in the woods the Blackcap, much mistaken for the nightingale, sings sweetly at this hour and is a welcomed guest upon my solitude.   There are many such enchanting moments tucked away at odd intervals throughout the year, sandwiched between the bustle, toil and noise that nowadays fills most of our lives, and too often they pass unnoticed and without appreciation.   The baler is the transgressor that ends these few hours of peace at hay-making.   It is a great red monster that crashes into the calm, scaring the blackbirds and thrushes and littering the fields with bales of green, just as the child litters the nursery floor with his building blocks.

If there is one task on the farm nowadays that demands sweat and aching limbs, it is the pitching, carting and stacking of bales of hay.   No time can be wasted in bringing them home for should the weather change, the feeding value could be washed right out and hay made fit for only bedding.   Under a blazing July sun the throat becomes parched and the palms of the hands become calloused and shiny from gripping the pitch-fork.   Hasty swigs from a brown bottle concealed in the cool shade of a hedge ooze forth seconds later as sweat.   Hay particles stick to the body and gnats and flies buzz and bite. At times (if, for example, in a race against approaching storm clouds), the pace becomes so hectic that the sweat runs and blinds the eyes.   Seeds and pieces of hay fall into the shirt and make their way down to the trouser belt where they stick and prick and scratch each time the body is bent to life another bale.

This work, weather permitting, continues day after day, and to those involved it seems like eternity, but sooner or later the very last bale is heaved upon the trailer, and the last, slow journey home is made with swaying load and creaking ropes.

Last year, Garden Field was put aside for the cows and old George was helping me move the electric fence.   It was almost dinner time when we finished and we sat upon the headland whiling away the minutes in idle conversation.   He had removed his jacket and was picking out the fluff from the corners of a pocket.

“It used to be my brother’s,” he said of the jacket, “he lived in Shropshire but passed on a few weeks back, and as I’m the only one of the family left, I had all his bits and pieces sent here.”   He studied the jacket ruefully.   “Didn’t find no pound notes in it though, just a bit o’ fluff and a few hay seeds,” he said flinging them into the wind.   Now, as I stand staring at the bales stacked under the dutch barn, I find myself wondering how many stems of Shropshire grass there are within, and if left to ripen, how many seeds they would have produced.   I often stand and stare, much to the annoyance of those around me, and think my little thoughts, for little thoughts quite often lead to bigger ones.   This is, in fact, just how this essay came to be written.

 

read the collected work as it is published: here

 

 

^{————w}(O)rmholes_________________________________|—–

blackbird wormhole: Plumstead – Woolwich – Plumstead 220211
branches & green wormhole: Sheffield Park Gardens
breeze wormhole: 1964
clouds wormhole: and ‘naerrgh’ a mention of a seagull’s call
echo wormhole: with all love released
silence wormhole: The Boats of Vallisneria by Michael J Redford – Working
smell wormhole: travelling // arrival
sun wormhole: tremule
talking wormhole: green and / luminant / to behold
trees wormhole: Lapping Reflections [Deep Within Waters] – reaping
work wormhole: next unexpected step

 

The Boats of Vallisneria by Michael J Redford – Working

Tags

1967, chimney, clouds, corn, cows, dusk, eggs, elm, farming, fence, fields, flood, food distribution, future, gale, gaze, green, grey, harvest, hay, hills, identity, leaf, letter, machines, meadow, meat production, Michael J Redford, milk, morning, oats, poetry, rain, sheep, silence, summer, sun, the Boats of Vallisneria, thought, time, tractors, trees, valley, weather, wheat, wind, windows, work, writing

Chapter 4

Working

A Letter of Two Parts

Dear Pat and John

I thought it high time I dropped another letter from the country into the post.   Looking back over the past summer months seems more like looking back over a bleak and stormy winter.   The weather has of course played havoc with the haymaking and harvesting.   I hear that at one time, medium quality hay was fetching nearly £20 per ton, and taking into account the wide-spread flooding that has occurred, it seems there’ll not be enough oat straw to feed in place of it.   With this drastic shortage of hay and straw, the outlook is black indeed.

Even as I write, the rain is beating alarmingly against the window panes, borne upon a gale that roars like an express up the valley, each gust falling over the next in its haste to wreak havoc on the exposed hills.   As I gaze through the window pane distorted with rivulets and splashes, I perceive a hazy image of grey hills shouldering leaden clouds, and every few minutes the wind rattles the frame and comes sighing down the chimney.   The whole house shudders a little and a log in the hearth slips, sending up a shower of sparks to meet the confusion above.   The fields are in a sorry state.   Most of the corn has been lodged as if trampled by some strident giant, fences have been breached by falling trees and many sheep throughout the country have been drowned in the spreading waters.

There was a period two weeks ago when the tempest eased a little and allowed a little watery sun into our eyes, but this lasted for only seven days, after which the rain set in again and eased up only occasionally for an odd day here and there.   We have managed to stack about half the oats, but the remainder will probably have to be written off.   The wheat would have encountered a similar fate had it not been for the three hired combines.

Now here once again are the winds and the rains.   A dead leaf, too sodden to absorb any more water is whipped across the window and trembles for a brief second on the sill before joining the hosts that cling to the chicken coop wire.   Incidentally, I’d better put this letter to one side for a moment in order to collect the eggs before the half light fades completely.

                                * * * * * * * *

Dear Pat and John,

I’ve had to restart this letter.   Owing to this sudden bright spell we’ve been working like mad trying to catch up on the backlog of harvesting and general repairs.   I started this letter well over two weeks ago but I’m afraid I’ve not had time to finish it until now.   It is remarkable how the view has changed outside my window.   The country scene these past few days has been one of violent human and mechanical activity.

Implements of all shapes, sizes and colours have erupted from their unusual passiveness and are droning, roaring and rattling over the soil.   A combine harvester, like a metal monster from a Wells novel, trundles ponderously across the field, digesting the grain and vomiting the residue in its wake.   Tractors career madly through the lanes, heave with throbbing effort towering loads of sheaves and haul balers which follow on, nodding idiotically like inane sheep.   Men race fervently against time commanding machines, pitching sheaves, building stacks, their pitchforks leaping and flashing under the sun.   Farmers and farm workers alike are conscious of the urgency of the hour, but no clock watching for them, they are eager to see the culmination of a years’ hard work.   To these men, their work is not merely a means of earning a living, it is something far more than this, something far more personal and important to them as individuals.   These men work not so much for their employers but with them, and it is through this combined effort that the tempestuous vagaries of the past year have been overcome.

If a machine breaks down, there is a curse and several pairs of hands are immediately locating the trouble.   They may not be expert mechanics but farm workers are masters of improvisation and no machine is standing idle for long.   It is this knack of ‘making do’ that is the seed of many weird and wonderful machines that have appeared on the agricultural scene, and it would indeed be difficult to find any industry which has produced in such a short period of time a greater range of impossible machines to tackle such improbable tasks.   No doubt to the layman it would appear that with all these modern innovations, the life of the farm worker today is almost as idyllic as the sentimentalised conception of the pseudo-bucolic poets of the seventeenth century:-

                “O happy life, if that their good
                The husbandman but understood.
                Who all the day themselves do please …”

Whenever a new acquaintance asks the nature of my work they are, on being told, shocked into silent disbelief.   Apparently I neither look like a farm labourer nor do I sound like one (how does such a person look and sound), and henceforth I am re-introduced either as a farmer or, by those who are more sensitive towards the truth, as being ‘in farming’, thereby implying that I own vast acres and hunt every Tuesday and Saturday.   A wistful ‘back to the land’ look then enters the eye.   “I’ve always wanted to work on a farm” they sigh.   No doubt there have been insuperable obstacles in ambition’s path for many people, but surely not all, and I have yet to meet the person who doesn’t bemoan his lot in town and gaze longingly at the green hills.   And just as a point of interest, I have yet to meet the person who doesn’t have an uncle somewhere who owns a farm.

Their conception of farming today seems even more idyllic than that of their fathers’.   Machines, they say, have taken the hard work out of farming, all we have to do is sit on a tractor all day and press buttons.   Perhaps they would like to spend a day stacking bales of hay under a sizzling hot roof of a Dutch barn, or perhaps after a sixteen hour day during harvest, [perhaps] they would like to sit up all night with a cow who is having a difficult time calving and work another sixteen hours the following day, and the day after that.   Unless a farmer specialises in a line for which a particular machine or implement has been designed, then it is not economical to purchase that machine.   For example, a man with just one house cow would find it uneconomical to install a completely automatic milking unit, but even where this is justified, as in the case of larger herds, the farmer or herdsman still has to rise at five o’clock on a bitterly cold winter’s morning seven days a week.   The advent of the machine has not necessarily lessened the amount of hard work to be done, it has merely allowed us to do more work in a given amount of time.   In fact, it is because of the machine that the herdsman’s lot today is becoming an increasingly intolerable one.

An old friend of mine once milked twenty five cows night and morning with two machines.   He know his cows and his cows knew him.   Although he did not rush things, he was efficient.   He would stand aside as the cows came into the shed and cast his eye over each one, and as he milked, he ran his hand over their coats and looked at their droppings.   Old Charlie could tell immediately if one of the animals was off colour.   Then his employer retired and a young, progressive farmer moved in.   Fortunately he ask Charlie to stay on as cowman.   Now, Charlie milks sixty cows night and morning with four machines in a well-parlour.   On being asked how he liked the new system, the old cowman sighed.

“Well I dunno.   We gets the milk, that’s fer sure, but ‘tis like working in a factory.   There’s pipes, tubes, valves, taps an’ switches everywhere.   The animals go through the parlour like a dose o’ salts – you’ve ‘ardly got time to wash their bags.   All you can see of ‘em is one side, their guts might be ‘anging out the other fer all I know.”   His addendum, I think, summed up his real grievance.

                “Trouble is – I ‘ent got enough time to get to know me animals.”

What could once be classified as a pleasurable occupation was now, through the advent of the machine, become a tiresome chore, and as mechanisation infiltrates more and more, so true herdsmanship is disappearing.   The reticent paragon of tolerance, that slow, amiable patient being that was once the cowmen, is now being pushed aside to make way for the impatient, ulcer-ridden milker of high speed conveyer-type milk production of today, so much so in fact, that on some larger farms, milkers are already working a shift system to break the seven day a week monotony.

I can foresee in the not so distant future, a herd of a thousand or more cows, zero grazed, moving almost continuously through a system of yards and parlours twice every twenty four hours.   In the parlours, shift work will be in progress with round the clock milking.   The milk will be pumped through to the distribution.   The organisation will manufacture its own concentrates, will employ its own veterinary surgeon, accountant and secretary and will have a resident Ministry Inspector equipped with his own laboratory.   And of course the whole concern will be owned by the big industrialists of the day.   This is not such an improbability as may at first appear for this has already happened to a great degree to some of our poultry farms.   There are now vast empires where eggs are fed into one end of a building and emerge twelve weeks later at the other as pre-packed chickens with their giblets frozen into little polythene bags inside them.   Then there is the abomination of the sweat box and battery systems of meat production.   Agricultural evolution has reached a point where farming, as we know it, is slowly but surely plunging into self-annihilation and dragging down with it the responsibility of moral thought into a morass of turpitude.   We are entering an age of hydroponic systems where an agricultural technocracy permits controlled environment and mass production of living creatures to an extent unparalleled in human history.   It is as if we have forgotten that we are dealing with life itself and not inanimate lumps of putty waiting to be moulded into any shape by the current market.   Yet if the farmers of today do not keep abreast of [the] latest scientific developments, they would find it almost impossible to feed themselves let alone provide food for others.   Even so, despite the fact that agricultural efficiency and production have increased beyond the wildest dreams of great pioneers such as John Lawes and Sir Humphry Davy, people are still dying in their thousands for want of food.   Despite the fact that there is enough food produced throughout the world in any one year to supply mankind with the essentials of life for the next twenty, the bloated belly of the beggar is still a common sight in the greater part of the world.   It is not, therefore, research into agricultural production methods which is urgently needed, but research into the distribution of those products.   It is in this sphere that the great fields of ignorance lay.

But let me rein back awhile for I have digressed too far.   This letter to you was intended to be a portrait of the countryside as I have seen it during the last two months, so now let me gaze upon the pastoral scene beyond my window.   The cows have finished grazing and are lying in the meadow cudding methodically.   The sun falls upon their backs like a warm blanket and a faint breeze fans their faces.

It was nine o’clock last night that the last load was brought home.   Engines were switched off one by one across the fields and, as the evening star faded, Pegasus shimmered the in the warmth of dusk and gazed upon the southern elms.   As the last sheaf was laid upon the stack, the year ended, our year, that is.   George stood, hands on hips.   Harry leaned upon his pitchfork.   Alf and Arthur sat upon the trailer and Jim stood with one foot upon the wheel hub.   In silence they gazed at the stack, each man with his own thoughts, each man reaping his own spiritual harvest.

 

read the collected work as it is published: here

 

^{————w}(O)_{rmholes________________________________|—–}

chimney wormhole: the missing chord // the now-silent seagull
clouds & identity & time & wind wormhole: travelling // arrival
green wormhole: green and / luminant / to behold
grey wormhole: for / the first time
hills & valley wormhole: volcanic rock
morning wormhole: forgotten anything
poetry wormhole: Pilot 125 … // … being excursion in the interludes
rain wormhole: when the rain has settled / the dust
silence wormhole: without any buffet at all
sun wormhole: is this it // all the time
thought & writing wormhole: Christmas 2015
trees wormhole: Plumstead – Woolwich – Plumstead 220211
windows wormhole: river
work wormhole: I am not yet ready

 

without any buffet at all

Tags

2015, 5*, acceptance, being, depression, green, identity, notice, panic, pointlessness, self-compassion, silence, surface, true nature, twilight, water

                                                surfacing
                                from a quiet sag – only noticed when
                surfacing amid the twilight sump,

                                                only
                                the silence of lapping remembered when damp seam and sole
                feel cold and slimely green –

                                                still
                                I do not know my true nature, panicking and gasping,
                wanting to float, wanting to hover,

                                                even,
                                without any buffet at all, without taint, and
                the local too close to distinguish

                                                myse-

 

 

 

^{————w}(O)rmholes_________________________________|—–

acceptance wormhole: prelude: // travel
being & depression & identity wormhole: lack of center
green wormhole: river
pointlessness wormhole: is this it // all the time
silence wormhole: the silent night of the Batman
twilight wormhole: and // do your ears burn red?
water wormhole: om muni muni maha muniye soha

 

the silent night of the Batman

Tags

2011, 7*, alley, attention, Batman, belief, black, blue, buildings, Christmas, city, east, fear, glass, green, guilt, ink, light, marble, marzipan, night, people, planes, purple, river, rooftops, rose, shops, silence, sky, skyline, smile, south, stars, streetlamp, thought, vista, windows, writing

                the silent night of the Batman

                even while they carried their
                gift-wrapped parcels and looked
                to each other with smiles of belief

                the shop signs hummed dark
                against the marbled frontage
                while above, quiet floors of

                clear-dark windows looked east
                looked south in the ink-black sky
                enough to write a novel in a

                single sitting, enough to hold
                a fleet of stars above the skyline
                stacking slowly; when the sky

                is ink-green the rooftop
                gathers ink-blue attention
                and leaps without step or

                swing through the glass and
                ledges of city vista, the lingering
                thought to shadow the guilt,

                the alley to streetlamp the
                fear, and over the river the rose
                cast high and wide to the stars until

                marzipan fingers reach across the
                ink-purple sky and marshmallow lights
                go out

 

 

 

^{————w}(O)rmholes_________________________________|—–

attention wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
Batman: cape and cowl
black wormhole: Cocktails in 1951
blue wormhole: out
buildings & people wormhole: London refugee march – 120915
Christmas & stars wormhole: the silent night of the Batman
city wormhole: city streets
glass wormhole: Mark & Jon at the coffee shop IV: right angles
green & sky & smile wormhole: looking ahead
light wormhole: Plumstead – Woolwich – Plumstead 220211
night & writing wormhole: and // do your ears burn red?
purple wormhole: pine // gladioli // [&] wisteria
river wormhole: glide
rooftops wormhole: low afternoon
shops wormhole: in the Java ‘n’ Jazz
silence wormhole: is this it // all the time
skyline wormhole: clear as vista
thought & windows wormhole: for / the first time

 

is this it // all the time

Tags

2015, 6*, Bodhichitta, breathing, corridors, depression, emptiness, fear, groundlessness, identity, living, mist, perception, pointlessness, questioning, quiet, rope, searching, self-cherishing, silence, snake, stairs, standing, stone, sun, time, trust, walls

                is this it
                coming again out of the mist

                that in my trust I find I still
                get nowhere that I want to be –

                by the walls along the corridor
                or at the top of silent stairs

                standing on the landing – it
                is not up here after all, nowhere

                else to go …
                is

                it
                this damn mist

                so easy to overlook
                so quiet to breathe

                that I mistake the stones for a figure,
                I fear the rope for the snake, and yet

                this mist will disperse
                the sun will always eventually appear

                I need not wear my collar up
                all the time

 

 

 

^{————w}(O)rmholes_________________________________|—–

Bodhichitta wormhole: may the supreme and precious jewel bodhichitta … // … take birth where it has not yet done so … // … where it has taken birth may it not decrease … // … but may it increase infinitely
breathing wormhole: Plumstead – Woolwich – Plumstead 220211
depression wormhole: to rescue something
emptiness wormhole: ‘charcoal grey-slate sky …’
groundlessness wormhole: place
identity & stone wormhole: om muni muni maha muniye soha
living wormhole: looking back over the tack / and jibe of my life I / notice there is / a fetch // after all … / but certainly not / where I had planned / or where I thought / I’d been
mist wormhole: while
pointlessness wormhole: is there anything to write?
searching wormhole: in the / Citadel / Park / a leaf / new / ly fell
silence wormhole: circuitry
stairs wormhole: currency of generations
sun wormhole: London refugee march – 120915
time wormhole: sweet chestnut
walls wormhole: snapshots about Totnes

 

circuitry

Tags

2014, 6*, being, career, circuits, circular poem, communication, doing, echo, identity, lead, mind, silence, society, thinking, time, world

 

                                                                    so much
                    unless there were                         overrule and overlay
             can not respond to                                   forming ad hoc
                my silent mind                                         circuitry
    gathering echoes that                                           both clipped
                 demands like                                             and split
 in a vacuous world that                                           through junction
             to make the play                                          and relay
             choice is bypassed                                    massed in
           so thick over time that                         cable over lead
                                          clumped

 

 

 

^{————w}(O)rmholes_________________________________|—–

being wormhole: holiday
career wormhole: breathing through hypnagogia
circular poem wormhole: in the / Citadel / Park / a leaf / new / ly fell
communication wormhole: just saying, is all VIII: keeping up toxic appearences
doing & thinking wormhole: place
echo & society wormhole: divergent // direction
identity wormhole: concordance
mind wormhole: jump start
silence wormhole: make your rickety / constructs strong with / unbending grids / of attention and wide- / open grates of let
time wormhole: lime crocs
world wormhole: I keep / waiting to be discovered and get lost in anticipation

 

make your rickety / constructs strong with / unbending grids / of attention and wide- / open grates of let

Tags

2013, 7*, afternoon, attention, boundary, class, construction, defeat, defensive, dream, labour, letting go, lifetimes, living, morning, satisfaction, shift, silence, skill, speech, teaching, waking, water

                I woke saying “sit down”
                to a class who had
                been testing me like water

                moving silent against
                my every prescription
                demanded or presumed

                despite all the charm or
                cleverness I might use
                to a morning

                and then an afternoon
                of defeat and defence
                unable to use the skill

                and manoeuvre I have
                taught myself for
                lifetimes now

                all the shift and forming
                around the boundaries
                finding every fissure

                and fault just ahead
                of my every attempt
                to dam it all; what labour

                what want of satisfaction;
                let the water go
                where it will – it will

                all go there anyway – and
                make your rickety
                constructs strong with

                unbending grids
                of attention and wide-
                open grates of let

 

 

 

^{————w}(O)rmholes_________________________________|—–

afternoon wormhole: be
attention wormhole: divergent // direction
dream wormhole: wakeoutofadream
letting go wormhole: redundant
lifetimes wormhole: Salisbury Cathedral // suspended in everything
living wormhole: free
morning wormhole: windows // and balconies
silence & speech & water wormhole: the quiet whale
teaching wormhole: a nice grey woollen picnic blanket

 

the quiet whale

Tags

2013, 8*, air, breath, community, currents, echo, groundlessness, life, light, passing, quiet, silence, society, sound, speech, superhero, water, whale, windows

                there was a thirty year cacophony
                     storied and canyon
                     full of echo and window
                     and impossible superheroes
                but the giant fin e – ven – tu – all – y
                     passed gliding out of freeze-frame
                     the quiet whale drifting off
                                like a community

                                there is nothing left
                     the after-currents, the dwindling tendency
                     the receding cheers the gears the home-lights
                                                receding bobs
                                                no ground to
                                                stand from
                                                su – spend – ead

                                     but too
                     no need to hold my breath anymore
                                no need to stay submerged down here
                                                let this leaden air out
                                                to rise where
                                                it will
                                I will take in all water
                                                behind my ears
                                                               and reach anywhere
                                                                               through power
                                                                                                   of silent speech

 

 

 

^{————w}(O)rmholes_________________________________|—–

air & passing wormhole: too greedy
breath wormhole: municipal garden
echo wormhole: occa / s / i // o / n / a // l // l // y
groundlessness wormhole: ‘let them slide off …’
life wormhole: step
light & society wormhole: Infantino / district of Gotham
silence wormhole: St. Edmund’s / Parish Church / Castleton
sound wormhole: where else
speech wormhole: St. Mark’s flies flagpole upwards / with the forelegs hanging down obscene / reaching some height blindly to connect / out from the long-stalk tri-separating up- / to-seeded rounds of pod like acacia what / is it called “‘hogweed’ I-don’t-know- / what-it’s-called-but-goats-love-it-and- / it-makes-them-burp-a-lot”
superhero wormhole: bud
water wormhole: embodying
whale wormhole: gulp // spout // and recede
windows wormhole: to rescue something

 

St. Edmund’s / Parish Church / Castleton

Tags

2013, 7*, black, blue, brass, Castleton, ceiling, church, metal, patience, silence, smell, sound, waiting, wood, writing

                                smell

                of centuried wood and polish
                misaligned and creaky and
                still held by metal twist brace
                with brass lamp-holders polished
                and blackening and spore
                of pew-bolster-cushions patient
                and attentive waiting

                                silently

                but for the crease and crankle
                of the notepad as I write these
                lines high among the rafters
                of the powder-blue ceiling

                                St. Edmund’s
                                Parish Church
                                Castleton

 

 

 

^{————w}(O)rmholes_________________________________|—–

black wormhole: that comicbookshop … // … in dreams
blue & Castleton wormhole: lesson from watching two crane flies work the evening / skating across the panes flying and pushing legs grappling / the glass crossing repulsive over themselves and clinging akimbo / for a rest until lifeless just to get their stickly bodies through to the light
church wormhole: and that’s where I are
silence wormhole: 1968 – orange sand and mauve mist
smell wormhole: too much in arrival
waiting wormhole: greedy
wood wormhole: prelude: // travel
writing wormhole: the goldilocks stance